This class is amazing because not only can you sign up for the whole 9 yards, as in, the whole 9 weeks, but you can sign up for a couple of classes whenever you can or want. So, if you’re only interested in say the curriculum for week 3 and 8, then just buy those two classes.
The cool thing is that if you get a jump on it and register for the full course, it’s only a sweet £140. Let me break that down for you. That’s 9 2-hour classes. That’s 18 hours of awesomeness.
That makes it stupidly cheap. Like, less than £8 per taught hour.
And if that deal isn’t sweet enough? She’s offering to read and give you feedback on 5000 words of your work. How amazing is that?
But if you don’t have the dosh for the full nine weeks in one go, that’s cool. She offers individual class prices for £20 each. Still a sweet bargain, especially for how talented she is, both as an instructor and as a poet.
Let me give you a little bit of background of my fandom of this academic lady.
We both hail from the Pacific Northwest, and after years of not seeing each other, reconnected in the UK. I got to meet up with her while she was on her book tour for her collection of poems, This Exquisite Corpse.
Poetry isn’t my jam. I studied it while I was at Durham University and of course all throughout the rest of my schooling, because we all have to. I respect it, and I can appreciate what it does, but it isn’t for me. Like, at all.
And oh my sweet hawthorn blossoms, that book blew me away.
I read the poems and I found that I actually hungered for them. They were just real and raw and insanely relatable in the language they use. The way the poems play with the empty space, and with form, and how they’re laid on the page—all of it was so fascinating to me.
I wish that I would have been able to read that while I was in uni, because would have gave me such a greater interest in poetic forms (or non-form), and thus I might not have hated my poetry classes so much.
This is a very candid post. This is an honest and upfront post from me to you.
Go check out this lady’s course. It’s insanely cheap, and her classes are excellent. I was repping her just a couple of weeks ago when she did a workshop for the Stay at Home Fringe Lit Fest. It was so popular that people requested that she do another one. And she did. So they requested a course, and here is the course.
Lockdown is pretty tough on us all, but it has opened up some interesting and wonderful opportunities, especially for writers.
The Stay-At-Home Fringe Litfest is an online literary festival hosting writers and scholars who are supplying completely free Zoom seminars on different aspects of writing. It is Scotland-based, which means the times for the seminars are local, but ensuring you have access to them is well worth any late nights or early hours in your own time zone.
I specifically would like to talk about Tawnya Selene Renelle’s seminar, Experiments in Writing.
Tawnya Selene Renelle, poet and scholar at the University of Glasgow, has a special interest in free verse poetry, which she plays with liberally in her recent collection, This Exquisite Corpse.
I highly recommend her upcoming seminar, held on May 8, 2020, from 12-4. (Note: this is the second of her seminars, the first was held from 12-2, so there is a chance that this may be a typo. However, prepare for 4 hours in case it isn’t).
To give you a feel for who Renelle is, I thought I would import an interview I had with her in June 2019 in light of the release of her collection. She was just about to go on a promotional tour for the book. Since then, I have had the opportunity to meet up with her during a couple of her tour stops and film her. You can see her reading her poetry here.
Before I go on, it should be noted that This Exquisite Corpse is provocative, to put it mildly. If adult content and language is not your style, you may not enjoy this book. However, that does not detract from the talent of Renelle or her knowledge on the topic of creative and expressive writing.
June 2020 Interview with Tawnya Selene Renelle
This Exquisite Corpse is the debut poetry collection of Tawnya Selene Renelle, creating a tapestry of real, raw images of life of a woman loving women, loving men, in grief, in family, in being whole through having been broken.
‘A book of deviance,’ says one review. ‘A keenly observed collection,’
of poems which ‘lay down challenges to the reader,’ says another review.
Renelle’s collection makes the reader delightfully uncomfortable, while
comforting the women who can relate to so many parts of her art.
Of it, Colin Herd writes in the introduction:
‘The poet June Jordan once asked “how do we come to be here next to each other / in the night.” This question of adjacency, of how our bodies inhabit spaces in relation to other bodies, is just one of the questions that animates this collection. …Always, through its encounters with grief, break-up, loss, illness, addiction, self-examination, Renelle’s language is buoyant, and dazzles, twists, turns in unexpected ways.
I had the opportunity to interview Renelle regarding This Exquisite Corpse toward the beginning of her book tour.
Tell me about This Exquisite Corpse.
The title actually comes from the game the surrealists play, Exquisite Corpse, and I really fell in love with it. And for me, the book contains both literal and figurative corpses: mine and those of my dead friends.
How would you describe your poetry, in this book and otherwise?
I often describe my poetry as raw and real. It is memoir and I write about my life experiences in the hopes that someone reading or listening can relate to it and maybe feel something about their own story. The power to tell it. I like to write simple poetry without metaphor.
How would you describe your style?
I like to say I am a hybrid or experimental poet, that I really embrace the page and blank space and like to make sure I am putting words on the page in a way that creates accessibility, if that makes sense.
Speaking of blank space, This Exquisite Corpse is such a confession of the deeply personal, do you think there’s anything you’re not saying?
What do you hope for readers to take away from This Exquisite Corpse?
Something of their own experience, my ideal is that half way through reading a poem, the reader stops thinking about my life and begins to think about their own. That is the dream. When people come up to me after I read and tell me about their own life experiences I feel like I have done what I hope to: provide a way for people to connect to their life by sharing information about my own.
What is the central theme in this collection?
Embodiment, or rather the body in periods of love, sex, grief, and pain. I really wanted to try and capture a lived experience in the body, it is also so much about connection, between family, friends, and lovers.
Which poem or line in This Exquisite Corpse is the most impactful to you? Rather, which would you say you carry with you, if any?
That is such a hard question. The poem I wrote for my
grandmother has the line “our bond is not dependent on your knowing,”*
and I do really love that one and have had many people tell me that it really
impacts them as well.
And then the line, “if the overdose of my friend I
learned what kind of people do drugs and somehow I am not one of them.”**
* A line from the poem, “For Grandmother” (p. 3) **A line from the poem, “Passing” (p. 63)
I was going to ask you how you felt about “For my grandmother,’ and that line in particular. How do you feel about publishing these confessions that you don’t actually want to confess to your grandmother?
I feel really good about it actually. She knows about the book, knows she can’t read it, and even knows about that line…she is the reason I write poetry. She put Emily Dickinson in my hands when I was young and taught me to love poetry and the written word. So the dedication to her is so true, to Grandmother for words she will never read. She knows I have poems that aren’t “grandma friendly” and she is just as supportive.
Poetry has always been more than just words on the page. It’s the line breaks and the inflexes that set the rhythm and pace up for a poem.
It was really amazing actually. I was so lucky because my friends have a cabin on their property and I went out to it for 2 days, and it was snowing. It felt magical really. And I just laid all the poems down before me on the floor and spent days deciding the order, making sure I was giving the reader emotional breaks from some of the more difficult poems, etc.
There are a lot of poems about breaking and putting back together, such as “Choked”, “Haunting,” and “I collect myself” (to name a few). Can you expand on this recurring topic?
Wow, I hadn’t even noticed that actually, but I guess it is
related to the death of my friends Gitana and Adam. There is such a dismantling
that happens during grief and a need to put back together. And on top of this, during
this period of time, I had a major back surgery and was physically putting
myself back together while writing the poems. I can see why this theme shows up
again and again.
So really writing the collection had a lot to do with both literal and figurative putting back together in an emotional and physical way.
Were these poems gathered over time, or was this collection written altogether, like in a manner of catharsis for the loss of those close to you?
I actually wrote all the poems in about a year, they just kept coming, and I couldn’t stop once I had started. The only poem that had been written over a long period of time was “Poetic Sexploration.” That poem is a constant work in progress. and a few poems were written very recently. Three of them were written about a week before we went to print.
“…writing [This Exquisite Corpse] had a lot to do with both literal and figurative putting back together in an emotional and physical way.” ~ Tawnya Selene Renelle
I don’t ever intend to write anything that is political really, I just write about my life, and I know that it becomes political, if that makes sense. So I didn’t set out to write a collection of poetry that is feminist, but I recognize that it is, that it is body positive, queer, sex-positive, feminist, etc…and I like that it is. But for me it is just putting my experiences down on the page.
Poetry has always been more than just words on the page. It’s the line breaks and the inflexes that set the rhythm and pace up for a poem. However, in some of your poems you go beyond this. How do you feel multimodal formatting contributes to your poems? By this I mean, the different use of text on the page. For example, in “Things I wanted to tell you (following our breakup),” and “These are the names I’ve been called by men.”
Oh yeah, well I love text on the page that challenges
perceptions and I already know the content does that, so it has always been
important to me that the book challenge what we think poems “should”
look like. I wanted the intimacy of text messages for those 2 poems that really
are about it, and “These are the names I have been called by men” is a poem I
have always been scared to share with anyone and so we decided to sort of make
it a center fold in a way to push the idea even further
This is also why image is included, why I have chosen to display my naked body, or corpse, if you will, in the text, especially after poems that deal with what it means to be a fat body in the world.
Do you have any other projects currently in the making?
So many…I think all writers have multiple projects at one time. I have my textbook, or my redefining of textbook on hybrid and experimental forms through my DFA studies, which is a merging of poetry, critical theory, prose, memoir, and art. I am also working on a collection of poems about my travels around the UK and being an “ex-pat,” as well as a novella idea that I hope to write in the next few years.
What is something you wish ore people would ask you?
I don’t think I really have specific questions I want to be asked. I like to think that someone could really ask me anything and that I would be open to it.
Where to find Tawyna
Tawnya Renelle is a PhD student at the Univseristy of Glasgow initially from Bellingham, Washington.
Currently, Tawyna is on her book tour promoting This Exquisite Corpse. You can catch her on tour by following her blog here.