Where Are You Now? Natural Writer Podcast Ep. 1

Today is a big day. Today is the first episode of the Natural Writer Podcast, and the topic is prompting you to answer the question, “Where are you as a writer?”

There is a lot I go into, and while this blog post isn’t exactly the transcript of episode, it’s the outline in blog form.

Where Are You as A Writer? Natural Writer Podcast

In this first episode, I ask you to consider where you are as a writer. Where are you leaping off from today? Tomorrow? The next day? This episode explores Where you are as a writer The use of Tarot as a writer The use of Earth, Air, Fire & Water as a writer I mention the Celtic Cross for Writers Workbook, and while during the time of the recording I didn't know if I would have that workbook ready, I can now say that it is ready and available! Get your copy here or by visiting https://naturalwritercoaching.com/2021/08/01/tarot-journaling/ In this workbook I'll walk you through how to use the Celtic Cross to discover yourself as a writer with copious journal prompts and using the Tarot. This workbook has over 50 pages of information, prompts and insight to up-level your writing mindset. You can find me at  http://www.NaturalWriterCoaching.com On Instagram: @NaturalWriterCoaching On Twitter: @WriterNatural On Facebook: NaturalWriterCoaching Or email any questions or thoughts at Nicola@NaturalWriterCoaching.com or through the Contact Me page of my website. Happy writing, friends!

Why Do We Need to Know Where We Are?

Knowing where you are as a writer means that you know the starting point from which you’re jumping off.

You might be just starting your writing journey, or maybe you’re a prolific short story writer, yet just beginning your first novel. Or perhaps you’re a self-published novelist, well into your 11th book, and needing some extra umph to keep you going.

We are all at different points in our writing. And yet, we’re all at the same place: the first day.

I know, this is going to sound cheesy, but it’s true. We are all at the first day of the rest of our writing journey.

The good, and obnoxious news is that tomorrow is also our first day.

So where are we starting from today? Where will we be starting from tomorrow? And the next day? And next week? Next month?

You get where I’m going with this.

Knowing where you are right now can help you pinpoint your strengths and weaknesses, what’s holding you back, and what’s supporting you.

I suggest you have yourself a pen an paper for this blog post or this podcast, because I’m going to be asking you some questions to get you going.

Using Tarot

Throughout this podcast, I’ll be referring to the Tarot. If you’ve been following me for any length of time, you’ll also know that I’m a big fan of using the Tarot in writing.

For this particular episode and post, I’m considering the lens of the first position of the Celtic Cross: The heart of the matter, or where you are as a writer.

In a Celtic Cross reading, this position represents the sum of all the energies working around you and within you to put you in the current position you’re in right now, or the real issue that is prompting the reading at all.

For many writers, it’s writers block. But that’s not just what the main issue is. It’s what’s masking the issue. So let’s take a second a look at writer’s block.

Writer’s Block

Writer’s block is rarely simply not knowing what to write. More often than not, it’s the result of something deeper getting in the way, whether it’s a belief, a fear, or the excuses we tell ourselves (though those are also the result of beliefs and/or fears).

If we take a little bit of a bird walk, I’ll talk a little bit about the ego.

The ego, at least, how I’m defining the ego, is the self, or rather, the protector of the self. It is like the shell of the nut that is what defines us.

The aim of the ego is to protect the self. However, what it means to protect something is to keep it just as it is. Which leads to no growth.

In order to grow, we need to initiate a change. Where there is change, there is the unknown. Where there is the unknown, there is potentially danger to the self, which is what the ego wants to protect the self from. As a result, we have fear.

This is very simplified. I know that. Just keep bird walking with me.

This fear is what is causing our writer’s block, when it does manage to crop up. It’s the voice in the bac of our heads questioning whether our writing will be well received, if we as writers will be well received, or if there’s any point in writing at all. These are just a few fears that I commonly talk to writers about. There are plenty more out there.

As a result, we find excuses for why we can’t write, why we shouldn’t write, and so on. This is why we would rather deep clean the bathroom which suddenly urgently needs doing when we sit down at the computer to get some work done. We may not have our writing done, but damnit, our bathrooms are spotless!

Using the tarot, and looking ourselves as writers through the lens of the tarot or even through this position in the Celtic Cross, can help us identify what might be holding us back in our writing practice. Likewise, it can show us what’s supporting us.

The First Step:
Journal It out

The first thing I’m going to ask you to do is journal out where you are as a writer. What does it mean for you to be a writer? What does your writing practice look like? What are you doing right now to embody the title of writer? What are your goals? Your fears? Who’s your biggest cheerleader, and influence? Who intimidates you?

Write everything you can about where you are right now.

Don’t think about it too much.

The often famed method of Morning Pages, put forth by Julia Cameron in her book The Artist’s Way, is about journaling without boundaries. Let your thoughts flow onto the page for at least three whole A4 pages, front and back, without pausing to wonder what to write.

When you find yourself running out of what to write, write “I don’t know what to write, I don’t know what to write, I don’t know what to write…” until your pen begins to know what to write.

Adopt this mentality while you do this exercise. Don’t think. Just journal.

After You’ve Scrawled It All…

After you’ve spent some time journaling, get a highlighter and read through what you’ve written. Pay attention to what stands out to you and mark it. Make notes, highlight, underline, do what you have to do, but mark what you’ve written that stands out as important to you.

Pull these points aside and journal on them further if you need to. Really dig into these tid-bits of information you’ve gleaned from your journaling. Why do they stick out to you?

Getting Back to Tarot

A tool that Tarot utilizes is the categorizing of different aspects of life via the four suits: Coins/Pentacles, Swords, Wands, and Cups. Each suit is represented by an element: Earth, Air, Fire, and Water, respectively.

I promise this will relate to writing and where you are as a writer, just bear with me.

Here’s how the elements represent different aspects of life:

Earth

Earth represents the physical realm, all that is tangible. You can think of the things that we need to physically survive and move around in this world, such as food, shelter, physical health, the earth itself, money, etc.

Earth energy is passive energy. It is slow moving, and it digs deep and holds on. Think of terms like “grounding” or “rooting.” These directly relate to Earth aspects.

Air

Air represents our thoughts and how we communicate. It also represents education, the law, justice, and anything to do with logic. It is part of our inspiration, something I’ll delve more into when we move on to Fire.

Air also represents cycles. When we consider the breath, how it moves in and out of us, like a cycle, or the swirling of wind, we can understand how it can represent the phases we move through.

Air is active energy. Our thoughts are quick, how we speak is usually quite quick as well. Thoughts and tongues can be sharp, which is part of the reason why they are represented by the Swords in the Tarot.

Fire

This is my favorite element, though it could be because I’m a fire sign, and have a lot of fire in my astrological chart.

Fire represents passion and creation. It is our inspiration, our drive, our Will. It’s what motivates us to get up and go and to take action.

I mentioned that Air is also inspiration. The spark is the instant of Need to Do, of Compulsion to express that key part of the Self. It’s that flicker of excitement. Air is what fans that spark and brings it to a flame. It’s what plans and forms the spark into an action.

Fire, too, is active energy. It is far more instantaneous than Air, and far more demanding than air.

Water

Water is a passive energy, like Earth. Though the concept behind Water is the idea of sinking down. As a result, this means that it corresponds to our emotions, to our subconscious, our intuition, and our spirituality. It’s how we connect in our relationships, whether they be friendly, romantic, familial, or otherwise.

It is creativity.

Considering these elements and areas of your life while going over your journaling can help you divide specific areas you might find are supporting you or restricting you. You might find that there are areas that are smothering your spark, or devouring your Air, for example. These things bleed into your creative practice. Getting to know the different areas of life can help you pinpoint where you are right now.

The Second Step:
Some Guiding Questions

The second step is more of a helpful way to get you to consider the elements in your life. Here are some guiding questions you can further use as journal prompts.

Air:
What is your practice?

  1. How are you keeping yourself accountable?
  2. How are you planning for your writing goals?
  3. How are you implementing the steps of your plan?

I want to take a moment to say that it’s okay if you don’t have a plan. You don’t have to have a plan. However, Air is the element of logic, and is great when you start looking at your editing.

However, there are some elements of planning that you’ll need in your writing life. For example, the goals you set for your current WIP, or your writing career. The education you plan to explore when it comes to marketing, to story structure, to publishing also doubly fall under Air, since it’s both education and planning. Knowing copywrite laws are essential when it comes to creating your works (laws fall under Air, as does Justice).

There is a lot here, and the risk of too much Air is over-planning, and smothering your inspiration as a result. Ask yourself where the line is for you regarding too much planning, or needing to plan more.

Fire:
How Do You Feel About Writing in General?

  1. Does writing, as a whole inspire you? Intimidate you? Make you feel free? Constricted?
  2. Consider this and note what you feel in your body. Do you relax? Is there a tightness?
  3. How do you feel about your writing?
    1. Same questions – Does it inspire you? Excite you? Free? Constricted?

Fire can often be that act of creation, but creation must come from something. For example, consider the creation of another being. There are things that must happen:

  • There must be passion, or desire (both Fire)
  • Two elements come together to make that creation happen

So ask yourself what is that passion for you about writing? What is compelling you to write? Or consider writing? Or tell your story?

Examining what smothers that spark is also important, and should be considered.

  • What kills stomps out that potential for you?
  • What stops a piece from coming to fruition?

Water:
Where Does Your Creativity Come From?

  1. Does it hit you from nowhere?
  2. Do you cultivate it?
  3. What relaxes you and puts you in the flow with your art?
  4. What emotions do you tap into when you write?
    1. What do you avoid?

There is no doubt that writing is a creative process, and writing is fluid and flowing, just like Water. Hence, the creativity. Water forms itself to what it must be in order to fit in with what is required.

You might have noticed that I’ve mentioned both creativity and creation separately, and I want to take a moment to distinguish between the two.

  • Creation is the result of action being taken upon a passion
  • Creative, or creativity is the personal flair in which something is created.
  • Creation is fire
  • Creativity is water

In the tarot, there is a card named Temperance, which is often represented by Fire and Water. Marriam-Webster defines Temperance as “Moderation in action, thought, or feeling.”

In Thoth-Based tarot decks, the Temperance card is called Art instead. I love this. The idea that Fire and Water are coming together to create Art. This is creation and creativity coming together in harmony, the internal flow of Water, balanced with the drive of Fire, to create Art.

Earth:
How is Your Writing Showing up in Your Physical World?

  1. By what physical method do you write?
    • Type writer?
    • By hand?
    • Computer?
    • Dictation?
  2. Are you making money from your writing?
  3. How are you nourishing your brain?

I want to take a second to explain the last question.

The things that we put in our body affects our minds. Everyone is different, therefore different minds need different things. I also want to take a second to honor that this can be a privileged thing to consider as well.

I am not going on a kick about what you should or shouldn’t consume. What I am asking is for you to pay attention to how certain things affect how you think and act.

For example: during lockdown last year, I, like so many, began baking. I started to find that when I was eating the delicious things I baked, I was getting cranky. Same with when I had sugar in my coffee. So I stopped with the sugar-rich treats and drastically cut back on the sugar in my coffee.

Recently, since I get up at 5 in the morning, I have noticed that I have some pretty gnarly caffeine crashes around 1 or 2 in the afternoon. I realized it was because I was drinking bucket loads of coffee and then hitting my wall. So I stopped and replaced coffee with chicory root for a while, and then with plain old water.

I noticed how what I was consuming was affecting my mind and productivity, and I made the changes I felt I had the capacity and capability to make.

Where Are You As A Writer?

Consider everything you’ve journaled about here. What have you discovered? Are you pleased with it? Do you see areas you want to change?

If you’re open to sharing, post in the comments below! I’ll be you’ll find you’re not alone.

Natural Writer Podcast

Did you like Episode 1 of the Natural Writer Podcast? Be sure to like and subscribe. At the time of writing this, Apple hasn’t quite caught on to how excellent this podcast is, so I need your help! Be sure to subscribe to it on:

And of course, don’t forget to share the love and tell your friends!

Happy Listening and Happy Writing!


Celtic Cross Spread for Writers Workbook

In this podcast, I mention the Celtic Cross Workbook.

At the time of recording, I didn’t know when it would be released. However! I do now!

It is a completely free, 75+ pages of tarot and journal prompts using the Celtic Cross to help you delve into where you are as a writer, what is supporting you, and what is holding you back from becoming what you want to be.

Check it out for Free by completing the form below!

Natural Writer Podcast

Alright, friends. I’ve done it. I’ve done the thing.

This has been in the works for a long time, and now I’m doing it.

I have an imperfect podcast to launch on August 2.

That’s right. On Lammas, I am launching the Natural Writer Podcast.

Full transparency: I’m terrified. This is a really scary thing for me to be doing! I actually have recorded and re-recorded my intro episode like ten times. Finally, I decided I would just publish it.

And you know what, I STILL found an editing error!

But that is to be expected. I’m learning new editing software (I’m used to editing sound on video editing software that I no longer have access to, nor am I willing to throw down $800 to gain access to), and to top it all off, I was doing it on my phone. Editing anything on your phone can be tricky, in case you haven’t discovered that.

However, my trailer episode is about an imperfect start, and thus, I think that my imperfect trailer outlines that.

If you want to get ready for the real deal, the full-on podcast, I’ll be launching on a Tuesday, and will keep up the every-Tuesday pattern.

I’m using Anchor as my host, which has gained me access to the following podcast platforms:

I am still currently waiting for Apple to get back to me. I will update this when I find out more.

I am very excited for this, and I hope you are too. Be sure to check out my imperfect trailer and subscribe for more imperfect, informative, and hopefully entertaining episodes of the Natural Writer Podcasts.


Don’t forget, we are still open for submissions for the Nightmares When I’m Cold writing competition/anthology.

Read about submissions guidelines here, or email NightmaresWhenImCold@gmail.com with any questions you might have!

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Writing the Other & Our Responsibility as Writers

We as writers have a responsibility. The world is evolving, and we, as artists, have a responsibility to help our readers move forward with the world.

The art we engage with shapes our understanding of the world. When we encounter a character, whether it be in a book, on stage, through a poem, or on a screen, we are opening ourselves up to understanding that character, which works as an extension of our understanding of what it means to be human.

Literature, plays, film, art, all help us to discover, relate, and comprehend how we are evolving. The books that make it through history all portray important situational messages, problems, and commentary on the way the world is, and things that need to be addressed. They all point the way for what we need to fix in order to move forward and evolve.

We have seen this time and time again throughout history. Consider Joseph Conrad’s Heart of Darkness, commentating on the horrors of colonialism in Africa, or To Kill a Mockingbird by Harper Lee, which outlines the racial injustices in America, or Angels in America by Tony Kushner which revolves around the AIDs epidemic in the ‘80s. Let us not forget Animal Farm or 1984, both by George Orwell who predicted and accurately outlined the way the western world is headed. These are just a few of the classics that come to mind.

While not all of us are trying to write the next great piece that will go down in history, I assume that we want to write accurately. The world, the country, the state, the providence, the town, are not all white, straight, able-bodied individuals. Including a diverse world in your story can not only provide representation for underrepresented individuals, but it can also bring depth to your story.

Thus, we have a responsibility as writers to ensure we are giving an accurate understanding of the human experience in the eclectic and beautifully colorful world that we live in.

This is why it is so important that as we write, we work to ensure we are not causing harm where harm has already been done, and that we accurately portray our characters, systems, and worlds.

Writing the Other

Writing the Other is an organization that provides classes specifically aimed at writers who want to create characters who are different of themselves. For example, a writer who has a character who has ADHD, when the writer does not have ADHD, a character who has a physical disability, or a character of another race, gender, gender identity, etc..

Writing the other image: a squid with an image of Vonda N. McIntyre with a think bubble saying "I think, there for I write the other."

Writing the Other aims at responsible writing, teaching writers how to avoid harmful stereotypes or portrayals of their characters.

Their website has classes, seminars, weekend courses, workshops, as well as free resources to help writers get it right. Their teachers include

  • Nisi Shawl
  • K. Tempest Bradford
  • Steven Barns
  • Piper J. Drake
  • Jaymee Goh
  • Keffy R.M. Kehrli
  • Debbie Reese
  • Elsa Sjunneson-Henry
  • And so many more talented speakers and authors

From their website:

Representation is fundamental to writing great fiction. Creating characters that reflect the diversity of the world we live in is important for all writers and creators of fictional narratives. But writers often find it difficult to represent people whose gender, sexual orientation, racial heritage, or other aspect of identity is very different from their own. This can lead to fear of getting it wrong–horribly, offensively wrong–and, in the face of that, some think it’s better not to try.

The hard truth is this: Representation and Diversity are too important to ignore.

It IS possible to write characters who represent the “Other” sensitively and convincingly. Through our classes, workshops, and seminars and the resources available on this site and elsewhere creators can get a solid foundation in how to craft characters from any background, no matter how different they are from you.

Writing the Other homepage

The more we know, the more we can ensure that we are creating good in society through our art. By understanding and recognizing patterns in our view of those around us, we can learn to be better to those very people, and one of those methods is through our writing.

If you are unfamiliar with Writing the Other, I encourage you to check out their website and the work they do. Get involved with their community on Facebook, and have a read through their free available resources.

You can view their
2021 class schedule here.
You can check out their book,
Writing the Other, here


Recently, I announced the launch of a non-profit short story competition. The organization that all of our profits will go to for this project will be Writing the Other, because both Katrina Carruth and I believe so strongly in what they do, and in creating more educated and responsible writers. Specifically, we will be donating to the Sentient Squid Scholarship. Through this scholarship, writers can take part in Writing the Other teachings to help become responsible writers who contribute to bettering the world through their art.

Even if you are not interested in participating in our Nightmares When I’m Cold short story competition, I hope you’ll consider not only checking out Writing the Other’s workshops and courses, but consider donating to the scholarship to make them more accessible.

I look forward to seeing this organization grow, and to seeing more inclusive, diverse, and supportive writing in the years to come.

Call for Submissions: Nightmares When I’m Cold

I am so excited to announce a call for submissions to Natural Writer Coaching’s first anthology. I am pairing up with Katrina Carruth, editor and writer, to compile and present this writing competition and anthology, Nightmares When I’m Cold.

This has been a goal and dream of both Katrina’s and mine for a long time. In the long bygone days of being an English and Philosophy student, I wanted to start a publication, just so I could have the opportunity to ready others’ fiction. So bringing about this idea is something I am nothing short of thrilled about.

The goal of this anthology is to showcase the creepy and chilling tales that come from your beautiful brains under the writing prompt “Nightmares When I’m Cold”.

This competition will open on July 1, 2021, and the deadline is August 15, 2021 at midnight, PST. 

Nightmares When I’m Cold
Basic Guidelines

This is what we are looking for:

  1. A horror story revolving around the prompt “Nightmares When I’m Cold”
  2. 3,000 to 6,000 words. Anything above 6,000 or below 3,000 will be discarded.
  3. Any subgenre of horror, though horror must be the main genre

Please note that just because the prompt is in the first person doesn’t mean that the story itself needs to be in the first person.

Something we strongly encourage is really pushing your creative self. Try the third-idea method, in which you throw away your first two ideas and go for the third or fourth. This can help you move past possibly thinking of something you’ve seen or read already and really get to something juicy.

What we do not want:

  1. Gratuitous violence, abuse, or sex
  2. Anything to do with rape. This is a big NO. While we know this is a book of horror, we would like to avoid needing to put Trigger Warnings at the top of any story.
  3. Anything to do with the mutilation or harm of children. This is a big NO.
  4. Gratuitous gore.

Who is eligible:

  • Adults 18+
  • Contestants from the US, Mexico, and Canada*

* One day we hope to expand this to include other countries, but for now, we are keeping this continental local.

The Prizes

While we want to put together a collection of stories that not only the authors can be proud of, but that we can be proud to showcase, we also wanted to make this a little more fun and give it a competitive edge.

Please know, all of the prizes are redeemable within 12 months of the publication date of the anthology.

Short-Listed Stories

  • All short-listed stories will have a place in the anthology, Nightmares When I’m Cold
  • Each contributing writer will receive a hard copy of the anthology itself
  • Each contributing writer will receive 30% off any of Natural Writer Coaching’s services
  • Bragging rights
  • A great gift idea for the holidays (Please see the nitty-gritty)

3rd Prize

  • The winner of the 3rd prize will receive a 20,000-word critique of a current or finished WIP
    • This involves reading the section twice while making notes on the document, and writing a detailed email involving the critique
  • A basic line edit of the 20,000 word segment
  • A 1-hour call via Zoom, Skype, or Telegram discussing the critique

Valued at $250

2nd Prize

  • A 4-pack of hour-long coaching calls
  • Each call we talk about your work in progress, difficulties you might be having, character and plot development, writing blocks, etc.
  • Calls held via Skype, Zoom, or Telegram

Valued at $325

1st Prize

  • The Full Month Coaching Package
  • 4x 1-hour sessions (weekly)
  • Limitless emails between each session to discuss your project
  • A developmental editing approach to 15000 words of your story. This will be done by the third week of the month, and feedback will be emailed to you so we have the option of discussing the feedback if you want on the fourth week.

Valued at $1235

Nightmares When I’m Cold
Submission Guidelines

As I’ve already mentioned, this is a non-profit. That means that we will be donating anything we make over the cost of production, however, there is still a cost of production to take into consideration. To help with that, there is a $10 Submission Fee per submission.

We also believe in amplifying and lifting BI&POC and LGBTQIA+ voices. As an honor system, that fee will be waved, no questions asked.

If you would like donate extra to help to cover the cost of this book, or to simply donate the cause, please contact me.

That aside, here are the rules of submitting your work:

  1. $10 submission fee per entry*
  2. The story must be between 3,000 and 6,000 words, no more, no less.
  3. A separate cover letter document must be included with your submission
  4. Your submission must not include your name anywhere on it other than the email you send us and your cover letter. This is so we can ensure that we are reading each piece blind, so we don’t favor those we know consciously or unconsciously. We want to be as fair as possible
  5. Documents must be saved as a .doc or .docx. Please no PDFs

* We are more than happy to read as many pieces as you provide, however, only one of your pieces will be selected if you make it to the shortlist.

A Note on the Cover Letter

I don’t know one writer who likes to write cover letters. So I thought I would tell you exactly what we’re looking as a guideline (though we’re far less strict on your cover letter than on your actual submission:

  • The name of your story and your name
  • A little bit about your story, and if you did choose the third-method, feel free to share what your first two ideas were (though this isn’t essential, just a fun way for us to get to know you)
  • A little about yourself as a writer
  • A little about you as you

That’s it. It’s that simple.

The Nitty-Gritty

There are a few things that should be mentioned.

  1. Our approximate timeline is as such:
    • Open for submissions July 1 – August 15, 2021
    • Announce the short-list on September 21, 2021
    • Announce 1st, 2nd, & 3rd prizes on October 31, 2021
    • Release the anthology December 1, 2021
  2. The timeline we have set is tentative. It is our aim, though we may have to push it back. We appreciate your patience.
  3. This is a non-profit. Whatever is left over from the production costs of this anthology will be donated to a charitable cause assisting BI&POC and/or LGBTQIA+ writers and/or communities, and/or the environmental causes, or a combination of all of the above. The cause will be announced closer to July 1. the Sentient Squid Scholarship made available through Writing the Other.
  4. If you are short-listed and thus included in the anthology, we will have the rights to your story for six months after publication purely for promotional purposes. After that, you may submit it wherever else you’d like. We won’t do anything with your story other than publish it in an agreeable manner in the anthology.

Ethics of Writing + Having Sensitivity Readers

Both Katrina and I have strong ideas of contributing good to the world. As a result, we have a few stances we are taking with this contest/anthology.

Marginalized Voices & Sensitivity Readers

We believe in uplifting and making space for marginalized voices, which is why we are waving submission fees for BI&POC and LGBTQIA+ folx, no questions asked. This is a trust and honor system, and we would appreciate that this is respected.

Likewise, we also acknowledge that we aren’t qualified to ensure that the content of all the stories that are selected won’t be problematic. As a result, we would like to have sensitivity readers on board with this project.

If you are a sensitivity reader and would like to be a part of this contest/anthology, please feel free to contact me via IG DM, or though the contact page. We would love to talk to you.

Donations

Anything beyond the production costs will go toward a charity or scholarship. We are dabbling in a few ideas at the minute, but one that is feeling good is to put the money toward a scholarship for underrepresented writers.

Again, if you would like to donate toward this contest/anthology to help cover the waived entry fees of marginalized writers, please get in touch! We would love to hear from you.

EDIT: Furthermore, if you would like to donate directly to Writing the Other, you can donate here. To read about why we feel so strongly about the services Writing the Other provides, check out Writing the Other & Our Responsibility as Writers here.

Your Homework

Alright, there you have it—we have a contest on our hands. At the time of the publication of this post, you have two weeks to start thinking about and writing your story.

So you have a few pieces of homework in light of this:

  1. Start thinking about your story prompted by “Nightmares when I’m cold.”
  2. Start writing your story!
  3. Share this post with friends who might be interested in entering this contest
  4. Visit Writing the Other to see how their workshops, classes, and free resources can help you and your writing.

Remember, we are open for submissions between July 1 and August 15. We will have a page for entries up by then. Please feel free to comment below with any questions, or use the contact form.

We are so excited for this contest, and hope you are too!

Happy writing!

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Keeping a Story-Starter Notebook: 5 Ways to Start Your Story

Everyone has their own hang ups when it comes to writing their story. Sometimes we’re inspired to write, but don’t know what to write about. Sometimes we start something but can’t get through the middle slog, or don’t know how to end it. Other times we know what we want our story to be about, but just don’t know how to start it. For this last reason, it is handy—nay, essential—to keep a Story-Starter Notebook.

Don’t forget, if you’re reading this in April of 2021, I have an Earth Month offer, only available until April 23, 2021!

What is a Story-Starter Notebook?

Very simply, a Story-Starter Notebook is just a place where you keep ideas of how to start a story. This doesn’t have to be in a notebook proper, but can be in an app on your phone, a spreadsheet on your computer, or notes in your planner. I personally use a shocking amount of space in my planners for just this purpose.

The idea is that you keep a running list of things that inspire you. What would catch your eye if you were opening a book and reading the first line? What would be a situation that would make you ask questions?

A short story of mine, “June,” about a little girl who knew that she and her mother were dragons, though no one else knew, came about from sitting under a tree watching kids play in its branches. I listened to the conversations around me, and wrote down interesting lines of dialogue. From there, the story was born.

How to Find Story-Starters

It’s all well and good to keep these things written down, but how do you find story-starters? If they were easy to find, then the plethora of writers who struggle to start their stories wouldn’t struggle to start their stories.

1. Generating Ideas

This is an assignment I often give my clients: write down any first-liners you think of and store them for a rainy day. This is just as difficult and easy as it sounds.

Write down any idea that happens to come to mind that you think sounds like a good story-starter.

Years ago, I was driving home and in my mind was arguing with someone, going over and over how I should handle a particular issue in my life. Then one line of my argument wafted to my attention. I realized that could make for a good opener. My mind then shifted from my imaginary argument to the different directions that line could take me.

Another time, while in Greece, I was a little less than sober and looked up at the cliff near the house. I noticed there was a particular pattern in the rock, and the thought, “My gin-soaked mind seems to have found the gravestones in the cliff.”

It needed some worked, but given that at the time I was working on a gothic horror, it felt like a perfect launching point for a scene. Of course, my mind was, as stated, gin-soaked. However, the next day I was able to rework it, polish it, and build on it.

These observations come up all the time. It’s just whether or not you’re present enough to witness them and take note.

2. Read Poetry

If you don’t already read poetry, chances are, you’ll hate being told to read poetry. However, there is a poem out there for everyone. Some like the floral language of the Romantic Era, others prefer something real, tangible, and directly relatable as is found in the works of Andrea Gibson, Dean Atta, Emily Juniper, or Tawnya Selene Renelle. Some want something with justice behind it, and find comfort and inspiration in Audrey Lorde, Gwendolyn Brooks, Staceyann Chin, Maya Angelou, and June Jordan. Or, some people are just interested in the weird, and find intrigue with poets like Jim Morrison. There are so many different styles of poetry, and saying you don’t like poetry is like saying you don’t like food. It’s nourishing and necessary, and there is something out there for all taste.

While reading it, you can find lines that inspire you, and by all means, use those as story-starter prompts. You might even use one of those lines as the literal first line in a piece (if you publish, be sure ask permission and give credit to the poet!).

Collect lines that resonate with you, that spark your imagination, that get your mind buzzing with possibilities. You can return to them time and time again for inspiration.

3. Eavesdrop

Yeah, you heard me. While yes, one ought not to eavesdrop, it makes for fantastic story fodder. I hear snippets of conversation all the time that get my mind reeling with possibility and questions. Start listening in to those around you while you’re standing in line at the bank, while you’re walking in the park, or if you’re (safely) eating outside at a restaurant.

Try not to take note of full conversations, but just of statements, even if they seem somewhat boring. You can use those statements or questions or exclamations to build on. How can they start your story and lead to something remarkable?

4. Random Page

Turning to a random page in a book can also be an interesting way of starting a story. This is closely related to selecting lines from poetry, though a little different. I personally have used this in terms of bibliomancy (I’ll get to this in a minute), though moments ago was inspired to look at it in terms of writing prompts.

As I was writing this post, I was interrupted by my phone buzzing, sending me a notification of a prompt: “Grab the nearest book to you, turn to page 45. The first line is your love life.”

A few of my friend commented on this with their nearest book. One of the lines was “Among the gifted, the ability to bend magic to your will is not a weapon that makes you exceptional, much less invincible.”

I was intrigued. What love-situation could make this statement necessary to be said, and true?

Bibliomancy is the art of holding a question in your mind, picking a book at random, turning to a page at random, and selecting a sentence at random on the page to answer your question. This can equally be used for story-starting prompts, or really, any writing prompts.

5. Observing the World Around You

Another way you can start to develop your story-starters is to pay attention to the world around you. Or, if you’re safely and wisely sheltering in place, you can do this with shows that you watch, or by opening the window.

Use your five senses and take note of what you smell, what you hear, what you see, what you feel, and what you taste.

Referring to number 2, reading poetry can help you tune in to how to observing the world around you. Many poems are simply observing and writing what is less noticed and noting the significance in what is being observed. By getting used to these kinds of noticings, you’re training yourself to do the same.

What do your senses notice?

Mindfulness

Being mindful is somewhat of a buzz concept. However, being present, that is, being aware of what is going on around you, and active enough in your mentality to take note of what is going on around you is the key to finding inspiration in daily life. There are a plethora of writing prompts out there, books that give you daily inspirations, exercises, and so on

Really, all you need is to be mindful.

This is a skill that sometimes needs to be built upon. Simply being in the moment. Taking five minutes a day to notice your thoughts, your breathing, your body, your senses, all of it. This is all that being mindful means.

When you do this, then you’re also in the presence of mind to notice when those interesting conversations are heard and write them down, when you have an interesting thought in your head wander through, when you see something noteworthy, etc. Thanks to technology, it’s easier than ever to jot these things down on our phones, or make a voice memo. Or, you can of course go the tried-and-true method of just keeping a little notebook with you for just such occasions.

If there is anything that can be taken away from this post, mindfulness is what will help you find writing prompts and inspiration in your daily life. Make noticing and being present a habit.

Your Homework

Your homework is to start your Story-Starter Notebook, whatever that might look like. However, there is a specific exercise to get you going:

Write 25 first lines.

Set a timer for 10 minutes and get down 25 first sentences in that 10 minutes. Don’t think this. Just write them out, one after the other. Whatever comes to mind, write it down. You’ll find that after the first few, you’re just desperate to get thing down. As a result, your inner critic gives up, thus taking some of the pressure off you, and your mind begins to flow.

Don’t forget, if you’re reading this in April of 2021, I have an Earth Month offer, only available until April 23, 2021!

Happy Writing!

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Your Inner Writing Seasons

Happy Spring Equinox, Writers. And for those of you in the southern hemisphere, happy Autumn Equinox.

While I acknowledge that there are two beautiful changing of the seasons happening in two different parts of the world, I want to focus on the Spring.

When spring arrives, we are transitioning from the winter into the lighter, warmer months. Things are coming into bloom, and animals are waking up.

I feel the seasons strongly. I certainly am dormant in the winter, and awaken as the days lengthen. The sun and I are good friend in that way.

And yes, this has everything to do with writing.

A really great intimation revolves around the turning of the seasons, stating that nothing blooms all year round, and thus, we shouldn’t be expected to, either.

When it comes to writing, we all find our rhythm and groove. We go through cycles, sometimes in a phase of motivation and productivity, and other times of feeling completely drained. This is all perfectly find and natural. The earth turns through different seasons, and life goes dormant for a while. Likewise, the moon waxes and wanes, sometimes appearing in full darkness, and other times in full dark.

This is the way things are.

We live in a time where constant productivity is valued, encouraged, and even shamed if we’re not allowed to achieve that. As a result, we have people burning themselves out, and unable to focus on their passion and art, even though that might be the thing that lights them up.

Giving yourself permission to determine what your seasons are, what your internal cycle are, and when you’re at you’re brightest and when you need to rest can make or break your writing rhythm.

Some of you might be sensing a bit of a contradiction. After all, have I not been one to encourage practicing writing every single day?

And I still do.

Writing does not have to be perfection, nor does it have to be quality. It doesn’t even have to be on one project. It just has to be writing, the act of putting pen to paper or fingers to keyboard every day. This is also why I encourage journaling. It is still writing, which is still exercising that muscle. Even if it’s just a couple sentences a day that you plan to delete the following day, or throw away, it’s still something.

However, the key is that you learn to attune your writing habits to your own personal seasons. And your own personal season do not need to match the Earth’s seasons in your area. You find what work for you. Again, though, for the purposes of this post, I’m going to return to spring.

For those of you who are like me who rise and fall with the seasons and the sun, spring can be nourishing. Astrologically, we’ve just passed into Aries, which is the first sign of the Zodiac. It’s a sign of being present and being seen. It’s often compared to a newborn. A baby comes into this world and makes no apology for the space it takes up, or for the attention it demands or the needs that it has.

And this is the energy of Aries.

Aries and spring are new to the year, and flowers blossom and unapologetically take up space. Consider the weed that begin popping up everywhere, for example (I love weeds,  by the way). They know when it’s their time and they go for it.

As the earth rotates and orbit, the spring can bring fresh ideas, fresh energy, and new eyes. Use this time if you resonate with it. Spend time asking yourself if you need to move on to a new project, or if you need to look at an old or continued project with fresh, new eyes.

What doe you need to bring this energy into your creativity?

Your Homework

Spend some times evaluating your own personal seasons. Look back over the last year, or last few years (since we all know 2020 was like no other year), and ask yourself when you’ve been most energetic, or felt more challenge to keep up the pace you were on. What does that tell you about that time of year?

If you don’t know, I encourage you to get a planner or even your journal, and begin paying attention to your energy levels. You can look at it in terms of weather (are you more or less energetic when it’s cloudy out? Are you more introverted or extroverted? Etc.), the moon phase, the season, or even go so far as the planetary positions.

The other thing I want you to try to do is challenge yourself to start something new this week. It doesn’t have to be a big project, but start a short story, or a piece of flash fiction, or challenge yourself to write something you don’t normally write, which could be poetry or a YA piece. But do something new.

As you look over your new piece, be unapologetic about it. That means that you respect that it is something you created and can build from. It is neither good nor bad, it simply is, and it has potential, even if it’s just something you used as a tool to learn from. It is the foundation of something from which you can build.

Happy Writing, happy Spring, and happy New Beginnings!

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New Moon in Libra: Planning Balanced Writing

We are still in the 3-day energy of the New Moon in Libra. Here’s what it can mean for your writing.

This post comes a day late, but we can still harness the new moon energy in our writing! It’s said that there’s a three-day window: the day before, the day of, and the day after. 

As I mentioned in a previous post, the new moon is a time of beginning projects and setting goals and intentions. The idea behind this is that as the moon “grows,” as does the fulfillment of your intentions.

Libra represents balance and logic and stability. This new moon in Libra is excellent for creating an outline. In the Tarot, Libra rules the Justice Card, a card purely depicted as Air energy: logic and communication.

New Moon in Libra & Your Writing 

As I mentioned before, the logic of Libra and the intention-setting energy of the new moon indicate this an excellent time for outlining your novel. Likewise, it can be a great time to create a plan of action for your writing process. This is almost as important as having an outline for your plot:

Planning your writing process means:

1. Knowing What Environment Supports Your Creativity Best.

We all have different spaces where we write best, whether it’s a coffee shop, in the stillness of our room, our office space with dubstep blasting, or in the quiet of a library, or the freshness of a park. Having a list of places you can go and be while you write will be handy for when one of those places isn’t available or an option.

It’s important to note, too, that you can create your own optimal writing environment by working on programing your mind to write when you want it to. This does take time, patience, practice, and discipline, but I can be done. This is helpful if, for example, you’re a coffee-shop writer, and the area you live in is in lockdown.

2. Knowing the Time of Day that You Write Best

I am a staunch morning writer. No matter what time I get up, whether it’s 4 in the morning or 9, I hit 3 or 4 o’ clock and I hit my slump. After that it’s like pulling teeth to continue writing.

However, I do not speak for all writers. There are plenty of writers who don’t hit their creative groove until 1 in the morning. Knowing the best time for your writing will help you organize your schedule to accommodate.

3. Knowing How You Experience Exhaustion

Knowing what exhaustion feels like so you can be aware of upcoming burn out is essential. We are all going to hit the wall while we’re running, and we are all going to get knocked down. Until we know what it feels like to approach that wall, or approach burn out, we’re going to run into it a few times.

This is especially true when we’re determined to get through a project, it’s easy to push ourselves to the absolute max. This is the active energy that society and western culture encourages: keep working until you drop. For so many people, “I’m so busy” is a positive mantra. It means that we’re productive, and that, for many, can equate to our worth.

However, writing a book is a balance between active and passive energy. In the tarot, this energy is often called masculine and feminine energy, however, this isn’t the most inclusive terminology, and raises a whole mess of problems. Instead, we active energy (associated with fire and air) and passive energy (associated with water and earth).

When we’re writing or working on any form of creative work, we are harnessing and balancing active and passive energy. The passive energy is the creativity itself. It’s making space for that voice to come up and through you, to connect to that interesting part of yourself that sees the world a little differently, and has a dire urge to express it. The active energy is the creation itself—painting, writing, dancing, singing.

To write is to find balance (libra) between the two.

4. Knowing What Measure to Take to Prevent Burn Out

This means knowing yourself enough to know what you need to rest and recover in a healthy way. The best way you can prevent burnout is to know yourself and know what’s approaching and how to cut it off at the pass.

For me, personally, I know that burnout happens when I don’t practice certain things, like daily meditation, journaling, drinking enough water, and exercise. I know it’s approaching when I take on too many things and I don’t communicate my needs and limits.

You can read more about burnout in a blog post here or by clicking the button below:

5. Knowing How to Care for Yourself When Burnout Strikes

The first thing you need to remember to do is remind yourself that it’s okay that burnout happens. And everything is going to be there if you stop and give yourself permission to rest. That’s the hardest challenge—to convince yourself it’s alright to recover. But you can’t effectively do your work if you don’t have any energy. Open communication is one of the best tools you have.

When you do hit that wall, spend some time reflecting when you can. Ask yourself

  • if you can recall the warning signs leading up to burn out
  • when would have been a productive time to give yourself permission to rest before you hit the wall

Most importantly, forgive yourself for hitting the wall. When we hit a wall, we fall backwards. We might even stay down for a little while, and that’s okay. You need to make sure you’re okay and that you haven’t damaged anything. The force of hitting that wall might have broken your nose or given you a concussion. It’s okay to spend time recovering. Give yourself that permission.

6. Making a Plan for Setting Boundaries Surrounding Your Writing Time

There are a lot of people who don’t understand what it means to be a writer. They think you can just sit down and write whenever you want. But it is essential that you create a sacred, off-limits time to write, which can be difficult.

When you create a plan ahead of time of how to communicate the importance of this time with your friends and family, then it becomes a little easier. With time, they’ll understand, or at least, get into the know that you are not available to move your writing time around.

You are allowed to set boundaries for your creative time. And they will learn to respect it, though it will be a process. You don’t need to make excuses, just set the boundaries.

7. Creating Balance

As mentioned, this new moon in libra is about balance. We’ve talked a lot about setting boundaries and protecting your writing time and creativity as well as yourself during the creative process. But the other thing that needs to be balanced is your time with your loved ones.

Your community, family, and social network play an important role in your mental health. Making sure you still have time, whether it’s a day on the weekend or a couple hours in the evening for some quality time with those you care about can not only keep you motivated along your writing, but help to recharge your batters.

If, for example, you want a career as a writer, then you need to know how to balance work and personal life. It gets tricky when your work is from home, especially if you don’t have a designated office. Starting to understand this balance now, before your income relies on it, will be essential and more than helpful later down the line.

Balance is the Key

balance macro ocean pebbles
Photo by Pixabay on Pexels.com

Balance is the key when you’re planning your outline, or when you’re making a writing process plan. If you have too much plot, then your characters get washed out. If you have too much world buildings, then your plot becomes obscured.

If you have too much work, you hit that metaphorical wall, which has been known to halt a project or two.

The above list is by no means exhaustive. They are just some of the things to keep in mind as you set your writing intentions. This is essential to think about if you’re planning to participate in NaNoWriMo this year.

Support Through NaNoWriMo

Having support during National Novel Writing Month, or any other time during a massive writing project can the difference to seeing you to the end or a project or the project halting altogether for many writers.

For so many people, 2020 has just been one punch to the gut after another, and they just need a win. As a result, there are a lot of writers who are putting pressure on this year’s NaNoWriMo to be their one win for the year. If they can just finish their novel during this time, then at least something good will have come out of this year.

That’s why the doors to the Intensive Writing Program are open for the first time, though only until October 23.

The Intensive Writing Program, or Package, includes one-on-one support with me as your writing coach, with weekly hour-and-a-half-long coaching calls to help you work through blocks, to hone your writing routine, to overcome obstacles, to talk through your plot/characters/setting, as well as anything else you need to get you through finishing your book.

The entire time you’re writing, I’ll read 12,000 words of your WIP a week, keeping me up to speed on your novel so when we have our coaching calls, I know exactly where you’re at so we can discuss it thoroughly.

Once December hits, that’s when the real fun begins. We spend time discussing a revision plan, looking at holes in the plot, things that might need to be rearranged for the ending to make sense, how to breathe your villain to life—whatever it is your book needs to work. Again, the whole time I will be reading what you write/rearrange/revise. Because I’ll have read it while you write it, you’ll spend less time having to re-read and take notes before your begin revision. I’ll have already done it.

The final two weeks of December will be dedicated to two more rounds of edits, which will go faster than you think, given that I’ll be line editing each time I read through your work in December.

There are only five openings for this program, and the doors are closing October 23rd. If you want to learn more about it, click here or use the button below to reserve your placement. If you have any questions, fill out the form below the button (titled Book a Free 30-Minute Session with Me), and I’ll be happy to answer whatever I can.

Happy Writing!

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Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Writing with the New Moon

There is usually a lot of fuss around the Full Moon, and what it can do for people. Especially when you think about Halloween, and the spookiness that accompanies it.

However, a moonless night, a night in which no light outside of the stars, is cast down upon the earth, has a far more ominous feel, doesn’t it?

More often than not, in stories, it is the dark moon, or the New Moon, which assists a character. They use its darkness to shield them when they need, allowing them to escape, to sneak, to go undetected. The Full Moon, however, shines light onto the world, often obscuring what’s there, or creating darker shadows where unseen things may lurk.

This week we are looking at the New Moon, and how it can assist us as creatives.

What is the New Moon?

The New Moon happens when the earth blocks the light from the sun, thus casting a shadow onto the moon, making it look nearly invisible, dark, or not there at all.

From an energetic perspective, the New Moon represent something like a clean slate. After the moon has shrunk from the Full Moon down into nothingness, it begins to grow again (the process called “waxing”), and that is where the real excitement of the moon lays.

How to Use the New Moon

This clean slate is often used as a measure of setting intention. This is a time when you set your goals and make a plan for the upcoming cycle. The idea is that, symbolically, as the moon grows, your goals and intentions grow closer to you.

What does this mean in terms of writing?

It’s a great time to start a book.

For many of you reading this as it’s posted, it’s October, and we’re gearing up for November’s National Novel Writing Month. Thus, this New Moon is an excellent time to plan your novel and set the intention of being prepared for NaNoWriMo so that as soon as Halloween transitions into November, you’re ready to go. You have a plan of action to make sure you follow through to the end of the month and to the end of your book.

This is a time to gather your strength as a writer, to gather your tools, your gumption, your creative drive, your characters and your plot. This is a time to summon that which you need to help you get closer to your goal.

The New Moon is a time for planning, outlining, and getting ready to start your novel.

Your Homework

As I write this, tomorrow is the New Moon. Take this time to make a plan for NaNoWriMo, or make a plan for your novel, and gather your resources in preparation.

Make a list of your writing goals for the rest of the year, or for the rest of the moon cycle. Now make a list of how you can achieve each goal.

What is the plan for your novel? Do you know your plot? Your MC? Your antagonist? The world you’re writing about?

And most importantly, do you have someone who can keep you on track the entire time, who can work with you to help you achieve those goals, and beyond?

Right now, for a limited time, the doors to the Intensive Writing Program are open only to 5 people. These doors close on October 23, 2020, and I don’t know when or if they will open again. This is a program designed to give you 13 hours of 1:1 coaching, unlimited access to support through email, and your novel read as you write it so you can have someone there to work with you through revision, editing, and editing again in December.

Interested? Click here or on the button below to learn about how you can get in on this program and make the writing goals you set this New Moon come to fruition.

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Intensive Writing Announcement

I know, I know, NaNoWriMo is coming up! Are you prepared?

What if I told you that I could coach you not only through NaNoWriMo, but I could also get you through a revision and at least two edits—wait for it…before 2021?

That’s what I want to help you with.

I have a very specific package that is designed for November and December only, and only will be offered NOW.

Here’s the thing:

  1. This program is open from now until October 23rd ONLY.
  2. This program ONLY has 5 OPENINGS.

That’s right, and it’s first come, first serve. This offer will close as soon as all the placements are filled or on the 23rds of October, whichever comes first.

What does it entail?

  • 8 hour-and-a-half 1-on-1 sessions, every week
  • Unlimited access to me via email
  • Regular feedback on 12,000 words a week of your WIP all the way through the end.

And if you get to the end of December and succeed in getting through a revision and two edits, then there’s a special bonus for you.

Learn more about it by clicking the button before.


Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Writing Through the Moon in October

The moon holds some amazing power over people. Horror stories revolve around it, and the cool blue-white glow of its light can be equally haunting as it is magical. So magical, in fact, that it’s worth of being a writing tool.

The Significance of the Moon

The moon is commonly associated with water, which is easy to see once you think about it. The moon influences the pull of the oceans which results in our tides. It’s said that crime rates go up during a full moon, because it has such an effect on people (remember, a large part of us is made up of water). People plan to travel or launch a business based on the moon. People plant and harvest their gardens according to the moon.

Esoterically, the moon corresponds to water because of it’s shadowiness, which relates to the subconscious or psychic abilities/intuition.

In my post, Writing Through the Elements, I talk about how in the Tarot, water represents the emotion, intuition, the subconscious, and creativity. With the moon relating to water, it’s easy to see that the moon relates to creativity as well.

October 2020

Tomorrow is October 1, which is not only my favorite month given that the best holiday of the year happens during this time, but this year contains a blue moon. A blue moon is when a full moon occurs twice within a month. That second full moon this year? Yeah, you guessed it, it’s on Halloween!

In light of the double full moon, I thought I would make this month about writing with the phases of the moon.

Again, water corresponds to the moon, and water represents creativity. Why not create with the ebb and flow of our biggest satellite?

Water

To connect with the moon, I feel as though we should connect with water, and see how it connects to our creativity.

Consider what water is (aside from H20):

  • Essential for life on earth
  • It can be calm and nourishing
  • It can be violent and destructive
  • The ocean is what connects the world
  • The depths of the ocean are a mystery
  • The shallows of the ocean are pleasant and what we’re used to seeing
  • Water cools us
  • Water warms us (at least, when I’m cold, the only thing that will warm me up is warm water)
  • It can exist as a solid, liquid, or gas
  • It is clear yet blue at the same time
  • A repetitive drop of water can be enough to wear away rock

Just to name a few things and get you started on what water is. What water means to us as individuals might be different. Are you afraid of water? Do you love it? Do you have to be bribed to drink a glass of water?

The ocean holds more secrets at this point than space does. Reaching into its depths teaches us new things about our world.

Reaching inward, much like reaching down into the ocean, helps us to bring to light things we didn’t know about ourselves. It’s an attempt at examining ourselves. It is here that the subconscious lives, and I believe, where creativity reaches from.

Unconscious, Intuition, Creativity

In the Tarot, the element of water, represented by the suit of cups, represents the subconscious, creativity, emotion and intuition. Thus, as a result, because the moon rules water, the moon corresponds to these elements as well.

The moon itself is a strange shadowy thing: sometimes we see it, sometimes we don’t. Sometimes we see all of it, sometimes we see some of it. Sometimes the light from the moon is so bright, that you don’t need your headlights on to drive (but seriously, keep them on), and sometimes it casts a strange light that seems as though things are appearing twisted and distorted.

That’s often the way we can view the aspects of ourselves that water rules. Likewise, water itself twists and distorts things when you view them from above. For example, you can put your finger in water and it will look as though it has bent when it actually hasn’t.

Creativity, which is what we will mostly be focusing on, is the same way. We catch it from the corner of our eye and try to harness it and twist it to our wills so we can produce something. The moon, with its many phases, can influence our creative process and productivity.

This week is working on how to use it.

The Moon & Writing.

We will all have our natural rhythms. However, it’s likely that these spiralic rhythms fall in line with that of the moon or of the seasons, in some way, the same way that menstruating womxn’s bodies fall into a 28-day cycle. The moon, too, has a 28-days cycle, which is why it’s often associated with womxn.

It is said that it has passive energy. While writing can be a stressful act, it’s also somewhat of a passive act, as creativity often is. So we view the phases of the moon, we have to think of what is growing, and what is fading.

As the moon goes from new to full, the energy of the moon is increasing. This means increasing creativity, energy, pull, etc.. Conversely, when the moon is waning and going from full to moon, that energy is dispersing.

Thus, when we’re writing by the moon, we can think of it in terms of how an idea or project grows.

During the first part of the moon cycle, when going from new to full, something is growing. Thus, this is an excellent time to:

  • Develop a story idea through planning
  • Begin writing a story
  • Begin marketing/gaining a social media following

As the moon fades from full moon to new moon, it’s a great time to:

  • Rest
  • Revisit your outline
  • Go back over what you’ve already written
  • Edit

As the creative energy is drawn out of you by the growing of the moon, you can harness that energy and apply it to your story. As the energy fades, it’s good to switch gears to a more analytical aspect, or into full on rest before you start the cycle over again.

For those of you who are fast writers, this is a great way to write and edit, allowing yourself the first two weeks of the cycle to get out your draft of your book, and the second two weeks to edit, and repeat.

The Rest of October

The 1st and 31st of October are full moons. For the first full moon, I am releasing this post. Each week will be a different moon phase that I’ll write on:

  • October 1st – full moon
  • October 8th – last quarter moon
  • October 17th – new moon
  • October 24th – first quarter moon
  • October 31st – full moon

Waning Gibbous Moon

After the full moon, the moon is known as waning gibbous. This is the section of time leading to the last quarter of the moon cycle. Contrary to popular belief, the full moon is actually the middle of the cycle, and thus we are headed toward a new beginning.

Since we’re starting this toward the end, here are some things  you can do to get yourself ready for your beginning on the 17th:

1.
Make a list of habits that are holding your writing back

These could be procrastination, self-doubts, saying yes to everything but your writing, etc. Spend some time making a plan to get rid of these habits. How can you change your attitude toward your writing? How can you make sure it comes first?

This isn’t just limited to writing habits. It could be how you handle constructive criticism. It could be how you view certain genres or publishing ventures.

Take the time and really look into any ways of thinking, attitudes, or habits, and see what you can do to alter them toward something more productive.

2.
Kill Your Darlings

Between the full moon and the new moon is an excellent time to revise what you’ve written. You can use this time to shed any parts of your book that are unneeded. Be completely ruthless with this.

Remember, if you don’t want to get rid of your characters/purple prose/superb scene that unfortunately doesn’t contribute anything to the story/etc. entirely, you can always make a separate document and copy and paste them there. You never know when they might come in handy for something else.

3.
Play

Spend some time writing some flash fiction or poems around your story. Have fun with it. This will help you get in touch with your story and your characters in a different way, and it can also be a great way to gather marketing fodder. You can send this out to your mailing list, your Patreon supporters, or put it up on your website.

Wither way, this is a time to acknowledge that you’ve done the work, and to enjoy it. What better way of enjoying it than writing your own fan fic for your world?

4.
Express Gratitude

I know, this one sounds a little weird, but hear me out.

When you write, there are plenty of things to be grateful for. And when you’re grateful, it helps you to appreciate your writing even more. For example, if you’re grateful for the time you have to write, then you’ll honor that time and be more likely to stick to it.

Here’s what my gratitude list looks like:

  • I’m grateful I have a mode of creative expression
  • I’m grateful I can support myself through writing
  • I’m grateful for the understanding that looking through my characters’ eyes bring me
  • I’m grateful I have time to write every day
  • I’m grateful my partner supports my creative pursuits
  • ect.

What are you grateful for regarding your creative practice?

These are just a few ways you can use this time of the cycle in your writing practice. I challenge you to spend a month working with the moon phases to see how it affects your work and let me know how it goes at the end of October.

Homework

There are two parts to this week’s homework. The first part is to journal on the following questions. Spend some time, giving yourself at least five minutes for each question. This allows you to really explore yourself and your thoughts on each prompt.

  1. What is your relationship to water?
  2. How do you respond to your own emotions?
  3. How do you respond to other people’s emotions?
  4. What habits are holding your writing back?
  5. What attitudes might be holding you back?

The second part of your homework is to spend some time creating a gratitude list. This is good to do, even if it doesn’t have anything to do with your writing. It can help you see the beauty already existing in your life and inspire you to create more.

Once you have your gratitude list, ask yourself what your ideal writing life would be like, and write it out, looking at a day in the life of Author You, writing it out from the time your successful writer self wakes up until you go to bed.

Before going to bed, your future you writes out their gratitude list. What’s on it? Write the list as if from your future you’s perspective.

Journal on the experience of this exercise, paying attention on what you learned about yourself as a writer, and what it means to be successful as a writer.

I’ll catch up with you next week when we move on to the last and third quarter moon.

Happy writing!

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