Where Are You Now? Natural Writer Podcast Ep. 1

Today is a big day. Today is the first episode of the Natural Writer Podcast, and the topic is prompting you to answer the question, “Where are you as a writer?”

There is a lot I go into, and while this blog post isn’t exactly the transcript of episode, it’s the outline in blog form.

Where Are You as A Writer? Natural Writer Podcast

In this first episode, I ask you to consider where you are as a writer. Where are you leaping off from today? Tomorrow? The next day? This episode explores Where you are as a writer The use of Tarot as a writer The use of Earth, Air, Fire & Water as a writer I mention the Celtic Cross for Writers Workbook, and while during the time of the recording I didn't know if I would have that workbook ready, I can now say that it is ready and available! Get your copy here or by visiting https://naturalwritercoaching.com/2021/08/01/tarot-journaling/ In this workbook I'll walk you through how to use the Celtic Cross to discover yourself as a writer with copious journal prompts and using the Tarot. This workbook has over 50 pages of information, prompts and insight to up-level your writing mindset. You can find me at  http://www.NaturalWriterCoaching.com On Instagram: @NaturalWriterCoaching On Twitter: @WriterNatural On Facebook: NaturalWriterCoaching Or email any questions or thoughts at Nicola@NaturalWriterCoaching.com or through the Contact Me page of my website. Happy writing, friends!

Why Do We Need to Know Where We Are?

Knowing where you are as a writer means that you know the starting point from which you’re jumping off.

You might be just starting your writing journey, or maybe you’re a prolific short story writer, yet just beginning your first novel. Or perhaps you’re a self-published novelist, well into your 11th book, and needing some extra umph to keep you going.

We are all at different points in our writing. And yet, we’re all at the same place: the first day.

I know, this is going to sound cheesy, but it’s true. We are all at the first day of the rest of our writing journey.

The good, and obnoxious news is that tomorrow is also our first day.

So where are we starting from today? Where will we be starting from tomorrow? And the next day? And next week? Next month?

You get where I’m going with this.

Knowing where you are right now can help you pinpoint your strengths and weaknesses, what’s holding you back, and what’s supporting you.

I suggest you have yourself a pen an paper for this blog post or this podcast, because I’m going to be asking you some questions to get you going.

Using Tarot

Throughout this podcast, I’ll be referring to the Tarot. If you’ve been following me for any length of time, you’ll also know that I’m a big fan of using the Tarot in writing.

For this particular episode and post, I’m considering the lens of the first position of the Celtic Cross: The heart of the matter, or where you are as a writer.

In a Celtic Cross reading, this position represents the sum of all the energies working around you and within you to put you in the current position you’re in right now, or the real issue that is prompting the reading at all.

For many writers, it’s writers block. But that’s not just what the main issue is. It’s what’s masking the issue. So let’s take a second a look at writer’s block.

Writer’s Block

Writer’s block is rarely simply not knowing what to write. More often than not, it’s the result of something deeper getting in the way, whether it’s a belief, a fear, or the excuses we tell ourselves (though those are also the result of beliefs and/or fears).

If we take a little bit of a bird walk, I’ll talk a little bit about the ego.

The ego, at least, how I’m defining the ego, is the self, or rather, the protector of the self. It is like the shell of the nut that is what defines us.

The aim of the ego is to protect the self. However, what it means to protect something is to keep it just as it is. Which leads to no growth.

In order to grow, we need to initiate a change. Where there is change, there is the unknown. Where there is the unknown, there is potentially danger to the self, which is what the ego wants to protect the self from. As a result, we have fear.

This is very simplified. I know that. Just keep bird walking with me.

This fear is what is causing our writer’s block, when it does manage to crop up. It’s the voice in the bac of our heads questioning whether our writing will be well received, if we as writers will be well received, or if there’s any point in writing at all. These are just a few fears that I commonly talk to writers about. There are plenty more out there.

As a result, we find excuses for why we can’t write, why we shouldn’t write, and so on. This is why we would rather deep clean the bathroom which suddenly urgently needs doing when we sit down at the computer to get some work done. We may not have our writing done, but damnit, our bathrooms are spotless!

Using the tarot, and looking ourselves as writers through the lens of the tarot or even through this position in the Celtic Cross, can help us identify what might be holding us back in our writing practice. Likewise, it can show us what’s supporting us.

The First Step:
Journal It out

The first thing I’m going to ask you to do is journal out where you are as a writer. What does it mean for you to be a writer? What does your writing practice look like? What are you doing right now to embody the title of writer? What are your goals? Your fears? Who’s your biggest cheerleader, and influence? Who intimidates you?

Write everything you can about where you are right now.

Don’t think about it too much.

The often famed method of Morning Pages, put forth by Julia Cameron in her book The Artist’s Way, is about journaling without boundaries. Let your thoughts flow onto the page for at least three whole A4 pages, front and back, without pausing to wonder what to write.

When you find yourself running out of what to write, write “I don’t know what to write, I don’t know what to write, I don’t know what to write…” until your pen begins to know what to write.

Adopt this mentality while you do this exercise. Don’t think. Just journal.

After You’ve Scrawled It All…

After you’ve spent some time journaling, get a highlighter and read through what you’ve written. Pay attention to what stands out to you and mark it. Make notes, highlight, underline, do what you have to do, but mark what you’ve written that stands out as important to you.

Pull these points aside and journal on them further if you need to. Really dig into these tid-bits of information you’ve gleaned from your journaling. Why do they stick out to you?

Getting Back to Tarot

A tool that Tarot utilizes is the categorizing of different aspects of life via the four suits: Coins/Pentacles, Swords, Wands, and Cups. Each suit is represented by an element: Earth, Air, Fire, and Water, respectively.

I promise this will relate to writing and where you are as a writer, just bear with me.

Here’s how the elements represent different aspects of life:

Earth

Earth represents the physical realm, all that is tangible. You can think of the things that we need to physically survive and move around in this world, such as food, shelter, physical health, the earth itself, money, etc.

Earth energy is passive energy. It is slow moving, and it digs deep and holds on. Think of terms like “grounding” or “rooting.” These directly relate to Earth aspects.

Air

Air represents our thoughts and how we communicate. It also represents education, the law, justice, and anything to do with logic. It is part of our inspiration, something I’ll delve more into when we move on to Fire.

Air also represents cycles. When we consider the breath, how it moves in and out of us, like a cycle, or the swirling of wind, we can understand how it can represent the phases we move through.

Air is active energy. Our thoughts are quick, how we speak is usually quite quick as well. Thoughts and tongues can be sharp, which is part of the reason why they are represented by the Swords in the Tarot.

Fire

This is my favorite element, though it could be because I’m a fire sign, and have a lot of fire in my astrological chart.

Fire represents passion and creation. It is our inspiration, our drive, our Will. It’s what motivates us to get up and go and to take action.

I mentioned that Air is also inspiration. The spark is the instant of Need to Do, of Compulsion to express that key part of the Self. It’s that flicker of excitement. Air is what fans that spark and brings it to a flame. It’s what plans and forms the spark into an action.

Fire, too, is active energy. It is far more instantaneous than Air, and far more demanding than air.

Water

Water is a passive energy, like Earth. Though the concept behind Water is the idea of sinking down. As a result, this means that it corresponds to our emotions, to our subconscious, our intuition, and our spirituality. It’s how we connect in our relationships, whether they be friendly, romantic, familial, or otherwise.

It is creativity.

Considering these elements and areas of your life while going over your journaling can help you divide specific areas you might find are supporting you or restricting you. You might find that there are areas that are smothering your spark, or devouring your Air, for example. These things bleed into your creative practice. Getting to know the different areas of life can help you pinpoint where you are right now.

The Second Step:
Some Guiding Questions

The second step is more of a helpful way to get you to consider the elements in your life. Here are some guiding questions you can further use as journal prompts.

Air:
What is your practice?

  1. How are you keeping yourself accountable?
  2. How are you planning for your writing goals?
  3. How are you implementing the steps of your plan?

I want to take a moment to say that it’s okay if you don’t have a plan. You don’t have to have a plan. However, Air is the element of logic, and is great when you start looking at your editing.

However, there are some elements of planning that you’ll need in your writing life. For example, the goals you set for your current WIP, or your writing career. The education you plan to explore when it comes to marketing, to story structure, to publishing also doubly fall under Air, since it’s both education and planning. Knowing copywrite laws are essential when it comes to creating your works (laws fall under Air, as does Justice).

There is a lot here, and the risk of too much Air is over-planning, and smothering your inspiration as a result. Ask yourself where the line is for you regarding too much planning, or needing to plan more.

Fire:
How Do You Feel About Writing in General?

  1. Does writing, as a whole inspire you? Intimidate you? Make you feel free? Constricted?
  2. Consider this and note what you feel in your body. Do you relax? Is there a tightness?
  3. How do you feel about your writing?
    1. Same questions – Does it inspire you? Excite you? Free? Constricted?

Fire can often be that act of creation, but creation must come from something. For example, consider the creation of another being. There are things that must happen:

  • There must be passion, or desire (both Fire)
  • Two elements come together to make that creation happen

So ask yourself what is that passion for you about writing? What is compelling you to write? Or consider writing? Or tell your story?

Examining what smothers that spark is also important, and should be considered.

  • What kills stomps out that potential for you?
  • What stops a piece from coming to fruition?

Water:
Where Does Your Creativity Come From?

  1. Does it hit you from nowhere?
  2. Do you cultivate it?
  3. What relaxes you and puts you in the flow with your art?
  4. What emotions do you tap into when you write?
    1. What do you avoid?

There is no doubt that writing is a creative process, and writing is fluid and flowing, just like Water. Hence, the creativity. Water forms itself to what it must be in order to fit in with what is required.

You might have noticed that I’ve mentioned both creativity and creation separately, and I want to take a moment to distinguish between the two.

  • Creation is the result of action being taken upon a passion
  • Creative, or creativity is the personal flair in which something is created.
  • Creation is fire
  • Creativity is water

In the tarot, there is a card named Temperance, which is often represented by Fire and Water. Marriam-Webster defines Temperance as “Moderation in action, thought, or feeling.”

In Thoth-Based tarot decks, the Temperance card is called Art instead. I love this. The idea that Fire and Water are coming together to create Art. This is creation and creativity coming together in harmony, the internal flow of Water, balanced with the drive of Fire, to create Art.

Earth:
How is Your Writing Showing up in Your Physical World?

  1. By what physical method do you write?
    • Type writer?
    • By hand?
    • Computer?
    • Dictation?
  2. Are you making money from your writing?
  3. How are you nourishing your brain?

I want to take a second to explain the last question.

The things that we put in our body affects our minds. Everyone is different, therefore different minds need different things. I also want to take a second to honor that this can be a privileged thing to consider as well.

I am not going on a kick about what you should or shouldn’t consume. What I am asking is for you to pay attention to how certain things affect how you think and act.

For example: during lockdown last year, I, like so many, began baking. I started to find that when I was eating the delicious things I baked, I was getting cranky. Same with when I had sugar in my coffee. So I stopped with the sugar-rich treats and drastically cut back on the sugar in my coffee.

Recently, since I get up at 5 in the morning, I have noticed that I have some pretty gnarly caffeine crashes around 1 or 2 in the afternoon. I realized it was because I was drinking bucket loads of coffee and then hitting my wall. So I stopped and replaced coffee with chicory root for a while, and then with plain old water.

I noticed how what I was consuming was affecting my mind and productivity, and I made the changes I felt I had the capacity and capability to make.

Where Are You As A Writer?

Consider everything you’ve journaled about here. What have you discovered? Are you pleased with it? Do you see areas you want to change?

If you’re open to sharing, post in the comments below! I’ll be you’ll find you’re not alone.

Natural Writer Podcast

Did you like Episode 1 of the Natural Writer Podcast? Be sure to like and subscribe. At the time of writing this, Apple hasn’t quite caught on to how excellent this podcast is, so I need your help! Be sure to subscribe to it on:

And of course, don’t forget to share the love and tell your friends!

Happy Listening and Happy Writing!


Celtic Cross Spread for Writers Workbook

In this podcast, I mention the Celtic Cross Workbook.

At the time of recording, I didn’t know when it would be released. However! I do now!

It is a completely free, 75+ pages of tarot and journal prompts using the Celtic Cross to help you delve into where you are as a writer, what is supporting you, and what is holding you back from becoming what you want to be.

Check it out for Free by completing the form below!

Tarot for Writers: What Does it Mean to Journal on a Tarot Card?

I talk a lot about Tarot. And one of my favorite practices is to tell people to journal. The combination of that often results in telling people to journal on a Tarot card.

What does that mean?

The Importance of Journaling

There are many gurus, teachers, therapists, and writers out there who will tell you that journaling is essential and important to keeping a healthy mind. Yet it’s easy to get hung up on what that means.

For many of us, when we were in school, we would be given writing prompts to get us to think about what we had learned. “What was the significance of living eternally in Tuck Everlasting?” “Would you want to live forever? Why or why not?”

I used to hate them. Truly.

Now I love them. I love the idea of delving into what I think about something. This is essentially what journal prompts serve to do. They invite a person to collect their thoughts and put them onto paper, or into audio.

The Benefits of Journaling

One way that journaling is effective is that it’s like putting your thoughts into a funnel. You have everything floating around in your head, but as soon as you have to put them into words, your brain has to organize them. It’s like untangling a knot into something manageable.

While this is an excellent reason to journal, the best understanding of the importance and therapeutic method of journaling has come from Julia Cameron in her book, The Right to Write.

She writes that journaling is allowing you the space to witness yourself. Often times we need to be witnessed, but so much of what we feel or what we think is shrouded in fear or shame. We’re afraid of what people will think of us if they knew we had x thought, or y belief, or felt a particular way.

When we journal, we are giving ourselves space to express what’s inside of us, and we are bearing our own witness.

I think this is truly beautiful, and essential for everyone to experience.

Journaling on a Tarot Card

So what does it mean to journal on a Tarot card?

This is a great practice when you’re learning to do Tarot or to read an oracle deck, and there are many ways to do this. There is no one right way. However, here are some offerings.

Note: I should mention, these are exercises designed mostly for Rider-Waite-Colman-Smith- and/or Thoth-based decks. While some of these exercises can be used for Tarot de Marseille decks, they don’t translate as easily. Oracle decks can also be used in this manner as well.

1. Describe What You See

Even if you know all the card meanings, describing what you see in a card can help you get to what you need to know about a card. It shows you what’s catching your eye first. Pay attention to that, and examine what that image, color, number, symbol, glyph, etc. might mean to you.

When you write this out, or record it out loud, you’re giving yourself the space to explore a card beyond the keyword meanings you might have memorized.

If you’re new to getting to know the Tarot, this is an opportunity for you to discover more about the picture in front of you.

2. Describe What You Feel

Writing the emotions or thoughts that come up immediately when you look at a card can help you get to the heart and energy behind a card. If you flip over the 3 of Cups and you feel panicked, then there’s a chance that you should pay attention to how you feel about social situations. If you turn over the 10 of Swords and feel relieved, then the chances are you should examine how you can move out of your particular situation and go toward that new dawn on the horizon.

Write out how you feel, and then ask yourself why you feel the way you do. Ask yourself “why?” several times, or “what can I learn from this?” several times before you move on. This is how you get in deep to your psyche.

3. Define the Card

Write out your definition of the card. If you know the card, or even if you don’t know the card, write out what it means to you. What is the image telling you? What story can you get from the picture in front of you?

Now, how does that story or definition relate to the position of the card, and to your life right now? Write it all out. Allow yourself to organize your thoughts in this way, and see what unfolds before you.

Ways to Journal

There is no right way to journal. Whether you’re doing it for a writing project, for school, or to get to know the tarot, there is no one way that is correct. What is correct is what works for you and serves you the best.

There are some things to keep in mind:

  • Don’t judge yourself for what you express through journaling. You are making space for yourself. You are allowing yourself a safe place to explore and examine ideas, thoughts, and feelings.
  • Don’t think too hard. Try to let it flow
  • Have compassion for yourself.

Here are some ways to journal

Longhand

While of course you can type out your journal entries, writing by hand, or by some measure other than pressing buttons, helps you to connect better with your thoughts and with the exercise.

When you write longhand, you can write your journal entry like you’re talking to someone, in pros, in poem form, however you want so long as the pen is moving or the voice keeps speaking, until you’re done.

Audio

Personally, I suffer from a hand injury a few years ago. When I write too much, my wrist and hand ache and it’s useless for a while. This is just one reason why someone might not be able to, or might not want to journal by hand.

Creating an audio recording is a helpful way to get around this. So long as you can find a space to yourself and can access some form of recording perhaps on your phone, on your computer, or into an old Home Alone Voice Recorder, then you’re good.

I do want to note that while yes, you can absolutely dictate your journaling to the computer, I wouldn’t recommend dictation as your writing practice. The reason I say this is that when you dictate, you need to tell the computer or dictation software to put in commas, periods, line breaks, etc. This can interrupt the flow of thought, and might create a barrier to achieve what you’re looking to achieve through your journaling.

Bullet Journaling

Bullet Journaling is a combination of art and journaling. It allows you to think and mull and gnaw on your thoughts while you doodle and color, and then bullet point your key thoughts.

Furthermore, not everyone can express themselves fully through writing. Words aren’t their medium, and there is nothing wrong with that. Using bullet journaling allows for the journaler to use color, lines, and images to give a broader range of expression.

At the end of the day, it doesn’t matter what any of the images mean to anyone else, only the person expressing themselves. The journal is for you and only you.

Combining Tarot & Journaling

It’s no secret that I see the Tarot as an excellent tool for writers. Learning to journal on a Tarot card is a great way to help a writer sink into the scene in a card and use it to help them write their story.

For example, a two-card reading process I like to use is Situation & Problem. The first card acts as the situation I’m starting from, then the card that crosses it is the Problem. From there, I begin writing.

If I turn over the 5 of Wands, then my situation could be competition. If my second card is the Lovers, then the Problem is either a choice that has to be made, or perhaps a competing love interest, depending on where I want to go with this this card.

When I journal on the situation, and what the card looks like, the colors expressed, what the images mean to me, I’m starting my brain along the path of how I could apply this to a story. This is my jumping off point for my story, whether it’s a piece of flash fiction, a novel, or a short story.

Likewise, when I begin to journal on the Lovers and what it means to me or how I might apply it in terms of the first card, then I’m beginning to develop a plot. I’m exploring how what I know, what I feel, what I see in this prompt can be the thing to interrupt the first card.

This is just one way out of hundreds that I can benefit from journaling around or about a Tarot card.

Celtic Cross Spread for Writers Workbook

If you want to take a truly deep dive into your writing practice and discover more about yourself as a writer, I have something just for you:

The Celtic Cross Spread for Writers Workbook

This workbook has over 65 pages of journaling exercises to help you plunge into the depths of what makes you, you, of what your writing habits are, what is supporting you, and what is holding you back.

Through using the classic Celtic Cross Tarot spread, I walk you through

  • Getting real with your current situation
  • Begin looking at your writing life through the lens of Earth, Air, Fire, and Water
  • What’s getting in your way
  • Uncovering your biases that might be holding you back
  • Looking at what’s supporting or hindering you internally and externally
  • How to develop your actionable steps to make necessary changes
  • And more

The best part about this workbook? It’s completely free.

Fill out the form below to get your workbook and begin learning how Tarot and your journaling practice can serve you as a writer!

Creatable Spaces: An Affirmation Deck for Writers

This is just a quick blog post to share with you a Kickstarter Campaign I came across this morning that I think you might enjoy.

Creatable Spaces is a Mindset Deck for Writers, created by Melissa Long.

This is a 45-card affirmation deck designed to give writers and creatives tools to help them keep their mental wellness intact and stay within a mindset that allows them to complete their project.

When I saw this Kickstarter campaign, I immediately backed it. I am so thrilled to see something like this out in the world, and I really hope that it comes to fruition.

This deck is comprised of five themes to target different aspects:

  • Creatable Confidence
  • Creatable Flow
  • Creatable Imagination
  • Creatable Mindset
  • Creatable Vision

I am not a person who generally goes for oracle decks or for affirmation decks, however as soon as I saw this, I knew it was an instant fit and a tool that so many writers need.

Creatable Spaces is a mindset deck for writers designed to help you navigate the ups and downs of creative life.  Whether you’re diving into your first novel or polishing up your fiftieth screenplay, this 45-card deck of affirmations will help you:

  • Think Better
  • Write Better
  • Be Better

Your Voice Matters. So do the stories you’re longing to tell. That’s why I designed Creatable Spaces.

Do yourself a favor and back this deck. While it’ll take a while before it arrives, it will be the delated winter gift you forgot you gave to yourself, and the writer in you will be thrilled.

Note:

I have zero, none, zip, nadda, no affiliation with this deck or with the creator of this deck, nor with Kickstarter. I am sharing this truly because I feel passionate and excited about what this project is and how it can help writers.

Happy Writing, friends!


Don’t forget! We are still accepting submissions for the Nightmares When I’m Cold writing competition and anthology. You can submit your story here or by clicking the button below. All proceeds from the competition go to supporting the Sentient Squid Scholarship provided by Writing the Other.

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Natural Writer Podcast

Alright, friends. I’ve done it. I’ve done the thing.

This has been in the works for a long time, and now I’m doing it.

I have an imperfect podcast to launch on August 2.

That’s right. On Lammas, I am launching the Natural Writer Podcast.

Full transparency: I’m terrified. This is a really scary thing for me to be doing! I actually have recorded and re-recorded my intro episode like ten times. Finally, I decided I would just publish it.

And you know what, I STILL found an editing error!

But that is to be expected. I’m learning new editing software (I’m used to editing sound on video editing software that I no longer have access to, nor am I willing to throw down $800 to gain access to), and to top it all off, I was doing it on my phone. Editing anything on your phone can be tricky, in case you haven’t discovered that.

However, my trailer episode is about an imperfect start, and thus, I think that my imperfect trailer outlines that.

If you want to get ready for the real deal, the full-on podcast, I’ll be launching on a Tuesday, and will keep up the every-Tuesday pattern.

I’m using Anchor as my host, which has gained me access to the following podcast platforms:

I am still currently waiting for Apple to get back to me. I will update this when I find out more.

I am very excited for this, and I hope you are too. Be sure to check out my imperfect trailer and subscribe for more imperfect, informative, and hopefully entertaining episodes of the Natural Writer Podcasts.


Don’t forget, we are still open for submissions for the Nightmares When I’m Cold writing competition/anthology.

Read about submissions guidelines here, or email NightmaresWhenImCold@gmail.com with any questions you might have!

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

Writing the Other & Our Responsibility as Writers

We as writers have a responsibility. The world is evolving, and we, as artists, have a responsibility to help our readers move forward with the world.

The art we engage with shapes our understanding of the world. When we encounter a character, whether it be in a book, on stage, through a poem, or on a screen, we are opening ourselves up to understanding that character, which works as an extension of our understanding of what it means to be human.

Literature, plays, film, art, all help us to discover, relate, and comprehend how we are evolving. The books that make it through history all portray important situational messages, problems, and commentary on the way the world is, and things that need to be addressed. They all point the way for what we need to fix in order to move forward and evolve.

We have seen this time and time again throughout history. Consider Joseph Conrad’s Heart of Darkness, commentating on the horrors of colonialism in Africa, or To Kill a Mockingbird by Harper Lee, which outlines the racial injustices in America, or Angels in America by Tony Kushner which revolves around the AIDs epidemic in the ‘80s. Let us not forget Animal Farm or 1984, both by George Orwell who predicted and accurately outlined the way the western world is headed. These are just a few of the classics that come to mind.

While not all of us are trying to write the next great piece that will go down in history, I assume that we want to write accurately. The world, the country, the state, the providence, the town, are not all white, straight, able-bodied individuals. Including a diverse world in your story can not only provide representation for underrepresented individuals, but it can also bring depth to your story.

Thus, we have a responsibility as writers to ensure we are giving an accurate understanding of the human experience in the eclectic and beautifully colorful world that we live in.

This is why it is so important that as we write, we work to ensure we are not causing harm where harm has already been done, and that we accurately portray our characters, systems, and worlds.

Writing the Other

Writing the Other is an organization that provides classes specifically aimed at writers who want to create characters who are different of themselves. For example, a writer who has a character who has ADHD, when the writer does not have ADHD, a character who has a physical disability, or a character of another race, gender, gender identity, etc..

Writing the other image: a squid with an image of Vonda N. McIntyre with a think bubble saying "I think, there for I write the other."

Writing the Other aims at responsible writing, teaching writers how to avoid harmful stereotypes or portrayals of their characters.

Their website has classes, seminars, weekend courses, workshops, as well as free resources to help writers get it right. Their teachers include

  • Nisi Shawl
  • K. Tempest Bradford
  • Steven Barns
  • Piper J. Drake
  • Jaymee Goh
  • Keffy R.M. Kehrli
  • Debbie Reese
  • Elsa Sjunneson-Henry
  • And so many more talented speakers and authors

From their website:

Representation is fundamental to writing great fiction. Creating characters that reflect the diversity of the world we live in is important for all writers and creators of fictional narratives. But writers often find it difficult to represent people whose gender, sexual orientation, racial heritage, or other aspect of identity is very different from their own. This can lead to fear of getting it wrong–horribly, offensively wrong–and, in the face of that, some think it’s better not to try.

The hard truth is this: Representation and Diversity are too important to ignore.

It IS possible to write characters who represent the “Other” sensitively and convincingly. Through our classes, workshops, and seminars and the resources available on this site and elsewhere creators can get a solid foundation in how to craft characters from any background, no matter how different they are from you.

Writing the Other homepage

The more we know, the more we can ensure that we are creating good in society through our art. By understanding and recognizing patterns in our view of those around us, we can learn to be better to those very people, and one of those methods is through our writing.

If you are unfamiliar with Writing the Other, I encourage you to check out their website and the work they do. Get involved with their community on Facebook, and have a read through their free available resources.

You can view their
2021 class schedule here.
You can check out their book,
Writing the Other, here


Recently, I announced the launch of a non-profit short story competition. The organization that all of our profits will go to for this project will be Writing the Other, because both Katrina Carruth and I believe so strongly in what they do, and in creating more educated and responsible writers. Specifically, we will be donating to the Sentient Squid Scholarship. Through this scholarship, writers can take part in Writing the Other teachings to help become responsible writers who contribute to bettering the world through their art.

Even if you are not interested in participating in our Nightmares When I’m Cold short story competition, I hope you’ll consider not only checking out Writing the Other’s workshops and courses, but consider donating to the scholarship to make them more accessible.

I look forward to seeing this organization grow, and to seeing more inclusive, diverse, and supportive writing in the years to come.

Call for Submissions: Nightmares When I’m Cold

I am so excited to announce a call for submissions to Natural Writer Coaching’s first anthology. I am pairing up with Katrina Carruth, editor and writer, to compile and present this writing competition and anthology, Nightmares When I’m Cold.

This has been a goal and dream of both Katrina’s and mine for a long time. In the long bygone days of being an English and Philosophy student, I wanted to start a publication, just so I could have the opportunity to ready others’ fiction. So bringing about this idea is something I am nothing short of thrilled about.

The goal of this anthology is to showcase the creepy and chilling tales that come from your beautiful brains under the writing prompt “Nightmares When I’m Cold”.

This competition will open on July 1, 2021, and the deadline is August 15, 2021 at midnight, PST. 

Nightmares When I’m Cold
Basic Guidelines

This is what we are looking for:

  1. A horror story revolving around the prompt “Nightmares When I’m Cold”
  2. 3,000 to 6,000 words. Anything above 6,000 or below 3,000 will be discarded.
  3. Any subgenre of horror, though horror must be the main genre

Please note that just because the prompt is in the first person doesn’t mean that the story itself needs to be in the first person.

Something we strongly encourage is really pushing your creative self. Try the third-idea method, in which you throw away your first two ideas and go for the third or fourth. This can help you move past possibly thinking of something you’ve seen or read already and really get to something juicy.

What we do not want:

  1. Gratuitous violence, abuse, or sex
  2. Anything to do with rape. This is a big NO. While we know this is a book of horror, we would like to avoid needing to put Trigger Warnings at the top of any story.
  3. Anything to do with the mutilation or harm of children. This is a big NO.
  4. Gratuitous gore.

Who is eligible:

  • Adults 18+
  • Contestants from the US, Mexico, and Canada*

* One day we hope to expand this to include other countries, but for now, we are keeping this continental local.

The Prizes

While we want to put together a collection of stories that not only the authors can be proud of, but that we can be proud to showcase, we also wanted to make this a little more fun and give it a competitive edge.

Please know, all of the prizes are redeemable within 12 months of the publication date of the anthology.

Short-Listed Stories

  • All short-listed stories will have a place in the anthology, Nightmares When I’m Cold
  • Each contributing writer will receive a hard copy of the anthology itself
  • Each contributing writer will receive 30% off any of Natural Writer Coaching’s services
  • Bragging rights
  • A great gift idea for the holidays (Please see the nitty-gritty)

3rd Prize

  • The winner of the 3rd prize will receive a 20,000-word critique of a current or finished WIP
    • This involves reading the section twice while making notes on the document, and writing a detailed email involving the critique
  • A basic line edit of the 20,000 word segment
  • A 1-hour call via Zoom, Skype, or Telegram discussing the critique

Valued at $250

2nd Prize

  • A 4-pack of hour-long coaching calls
  • Each call we talk about your work in progress, difficulties you might be having, character and plot development, writing blocks, etc.
  • Calls held via Skype, Zoom, or Telegram

Valued at $325

1st Prize

  • The Full Month Coaching Package
  • 4x 1-hour sessions (weekly)
  • Limitless emails between each session to discuss your project
  • A developmental editing approach to 15000 words of your story. This will be done by the third week of the month, and feedback will be emailed to you so we have the option of discussing the feedback if you want on the fourth week.

Valued at $1235

Nightmares When I’m Cold
Submission Guidelines

As I’ve already mentioned, this is a non-profit. That means that we will be donating anything we make over the cost of production, however, there is still a cost of production to take into consideration. To help with that, there is a $10 Submission Fee per submission.

We also believe in amplifying and lifting BI&POC and LGBTQIA+ voices. As an honor system, that fee will be waved, no questions asked.

If you would like donate extra to help to cover the cost of this book, or to simply donate the cause, please contact me.

That aside, here are the rules of submitting your work:

  1. $10 submission fee per entry*
  2. The story must be between 3,000 and 6,000 words, no more, no less.
  3. A separate cover letter document must be included with your submission
  4. Your submission must not include your name anywhere on it other than the email you send us and your cover letter. This is so we can ensure that we are reading each piece blind, so we don’t favor those we know consciously or unconsciously. We want to be as fair as possible
  5. Documents must be saved as a .doc or .docx. Please no PDFs

* We are more than happy to read as many pieces as you provide, however, only one of your pieces will be selected if you make it to the shortlist.

A Note on the Cover Letter

I don’t know one writer who likes to write cover letters. So I thought I would tell you exactly what we’re looking as a guideline (though we’re far less strict on your cover letter than on your actual submission:

  • The name of your story and your name
  • A little bit about your story, and if you did choose the third-method, feel free to share what your first two ideas were (though this isn’t essential, just a fun way for us to get to know you)
  • A little about yourself as a writer
  • A little about you as you

That’s it. It’s that simple.

The Nitty-Gritty

There are a few things that should be mentioned.

  1. Our approximate timeline is as such:
    • Open for submissions July 1 – August 15, 2021
    • Announce the short-list on September 21, 2021
    • Announce 1st, 2nd, & 3rd prizes on October 31, 2021
    • Release the anthology December 1, 2021
  2. The timeline we have set is tentative. It is our aim, though we may have to push it back. We appreciate your patience.
  3. This is a non-profit. Whatever is left over from the production costs of this anthology will be donated to a charitable cause assisting BI&POC and/or LGBTQIA+ writers and/or communities, and/or the environmental causes, or a combination of all of the above. The cause will be announced closer to July 1. the Sentient Squid Scholarship made available through Writing the Other.
  4. If you are short-listed and thus included in the anthology, we will have the rights to your story for six months after publication purely for promotional purposes. After that, you may submit it wherever else you’d like. We won’t do anything with your story other than publish it in an agreeable manner in the anthology.

Ethics of Writing + Having Sensitivity Readers

Both Katrina and I have strong ideas of contributing good to the world. As a result, we have a few stances we are taking with this contest/anthology.

Marginalized Voices & Sensitivity Readers

We believe in uplifting and making space for marginalized voices, which is why we are waving submission fees for BI&POC and LGBTQIA+ folx, no questions asked. This is a trust and honor system, and we would appreciate that this is respected.

Likewise, we also acknowledge that we aren’t qualified to ensure that the content of all the stories that are selected won’t be problematic. As a result, we would like to have sensitivity readers on board with this project.

If you are a sensitivity reader and would like to be a part of this contest/anthology, please feel free to contact me via IG DM, or though the contact page. We would love to talk to you.

Donations

Anything beyond the production costs will go toward a charity or scholarship. We are dabbling in a few ideas at the minute, but one that is feeling good is to put the money toward a scholarship for underrepresented writers.

Again, if you would like to donate toward this contest/anthology to help cover the waived entry fees of marginalized writers, please get in touch! We would love to hear from you.

EDIT: Furthermore, if you would like to donate directly to Writing the Other, you can donate here. To read about why we feel so strongly about the services Writing the Other provides, check out Writing the Other & Our Responsibility as Writers here.

Your Homework

Alright, there you have it—we have a contest on our hands. At the time of the publication of this post, you have two weeks to start thinking about and writing your story.

So you have a few pieces of homework in light of this:

  1. Start thinking about your story prompted by “Nightmares when I’m cold.”
  2. Start writing your story!
  3. Share this post with friends who might be interested in entering this contest
  4. Visit Writing the Other to see how their workshops, classes, and free resources can help you and your writing.

Remember, we are open for submissions between July 1 and August 15. We will have a page for entries up by then. Please feel free to comment below with any questions, or use the contact form.

We are so excited for this contest, and hope you are too!

Happy writing!

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Keeping a Story-Starter Notebook: 5 Ways to Start Your Story

Everyone has their own hang ups when it comes to writing their story. Sometimes we’re inspired to write, but don’t know what to write about. Sometimes we start something but can’t get through the middle slog, or don’t know how to end it. Other times we know what we want our story to be about, but just don’t know how to start it. For this last reason, it is handy—nay, essential—to keep a Story-Starter Notebook.

Don’t forget, if you’re reading this in April of 2021, I have an Earth Month offer, only available until April 23, 2021!

What is a Story-Starter Notebook?

Very simply, a Story-Starter Notebook is just a place where you keep ideas of how to start a story. This doesn’t have to be in a notebook proper, but can be in an app on your phone, a spreadsheet on your computer, or notes in your planner. I personally use a shocking amount of space in my planners for just this purpose.

The idea is that you keep a running list of things that inspire you. What would catch your eye if you were opening a book and reading the first line? What would be a situation that would make you ask questions?

A short story of mine, “June,” about a little girl who knew that she and her mother were dragons, though no one else knew, came about from sitting under a tree watching kids play in its branches. I listened to the conversations around me, and wrote down interesting lines of dialogue. From there, the story was born.

How to Find Story-Starters

It’s all well and good to keep these things written down, but how do you find story-starters? If they were easy to find, then the plethora of writers who struggle to start their stories wouldn’t struggle to start their stories.

1. Generating Ideas

This is an assignment I often give my clients: write down any first-liners you think of and store them for a rainy day. This is just as difficult and easy as it sounds.

Write down any idea that happens to come to mind that you think sounds like a good story-starter.

Years ago, I was driving home and in my mind was arguing with someone, going over and over how I should handle a particular issue in my life. Then one line of my argument wafted to my attention. I realized that could make for a good opener. My mind then shifted from my imaginary argument to the different directions that line could take me.

Another time, while in Greece, I was a little less than sober and looked up at the cliff near the house. I noticed there was a particular pattern in the rock, and the thought, “My gin-soaked mind seems to have found the gravestones in the cliff.”

It needed some worked, but given that at the time I was working on a gothic horror, it felt like a perfect launching point for a scene. Of course, my mind was, as stated, gin-soaked. However, the next day I was able to rework it, polish it, and build on it.

These observations come up all the time. It’s just whether or not you’re present enough to witness them and take note.

2. Read Poetry

If you don’t already read poetry, chances are, you’ll hate being told to read poetry. However, there is a poem out there for everyone. Some like the floral language of the Romantic Era, others prefer something real, tangible, and directly relatable as is found in the works of Andrea Gibson, Dean Atta, Emily Juniper, or Tawnya Selene Renelle. Some want something with justice behind it, and find comfort and inspiration in Audrey Lorde, Gwendolyn Brooks, Staceyann Chin, Maya Angelou, and June Jordan. Or, some people are just interested in the weird, and find intrigue with poets like Jim Morrison. There are so many different styles of poetry, and saying you don’t like poetry is like saying you don’t like food. It’s nourishing and necessary, and there is something out there for all taste.

While reading it, you can find lines that inspire you, and by all means, use those as story-starter prompts. You might even use one of those lines as the literal first line in a piece (if you publish, be sure ask permission and give credit to the poet!).

Collect lines that resonate with you, that spark your imagination, that get your mind buzzing with possibilities. You can return to them time and time again for inspiration.

3. Eavesdrop

Yeah, you heard me. While yes, one ought not to eavesdrop, it makes for fantastic story fodder. I hear snippets of conversation all the time that get my mind reeling with possibility and questions. Start listening in to those around you while you’re standing in line at the bank, while you’re walking in the park, or if you’re (safely) eating outside at a restaurant.

Try not to take note of full conversations, but just of statements, even if they seem somewhat boring. You can use those statements or questions or exclamations to build on. How can they start your story and lead to something remarkable?

4. Random Page

Turning to a random page in a book can also be an interesting way of starting a story. This is closely related to selecting lines from poetry, though a little different. I personally have used this in terms of bibliomancy (I’ll get to this in a minute), though moments ago was inspired to look at it in terms of writing prompts.

As I was writing this post, I was interrupted by my phone buzzing, sending me a notification of a prompt: “Grab the nearest book to you, turn to page 45. The first line is your love life.”

A few of my friend commented on this with their nearest book. One of the lines was “Among the gifted, the ability to bend magic to your will is not a weapon that makes you exceptional, much less invincible.”

I was intrigued. What love-situation could make this statement necessary to be said, and true?

Bibliomancy is the art of holding a question in your mind, picking a book at random, turning to a page at random, and selecting a sentence at random on the page to answer your question. This can equally be used for story-starting prompts, or really, any writing prompts.

5. Observing the World Around You

Another way you can start to develop your story-starters is to pay attention to the world around you. Or, if you’re safely and wisely sheltering in place, you can do this with shows that you watch, or by opening the window.

Use your five senses and take note of what you smell, what you hear, what you see, what you feel, and what you taste.

Referring to number 2, reading poetry can help you tune in to how to observing the world around you. Many poems are simply observing and writing what is less noticed and noting the significance in what is being observed. By getting used to these kinds of noticings, you’re training yourself to do the same.

What do your senses notice?

Mindfulness

Being mindful is somewhat of a buzz concept. However, being present, that is, being aware of what is going on around you, and active enough in your mentality to take note of what is going on around you is the key to finding inspiration in daily life. There are a plethora of writing prompts out there, books that give you daily inspirations, exercises, and so on

Really, all you need is to be mindful.

This is a skill that sometimes needs to be built upon. Simply being in the moment. Taking five minutes a day to notice your thoughts, your breathing, your body, your senses, all of it. This is all that being mindful means.

When you do this, then you’re also in the presence of mind to notice when those interesting conversations are heard and write them down, when you have an interesting thought in your head wander through, when you see something noteworthy, etc. Thanks to technology, it’s easier than ever to jot these things down on our phones, or make a voice memo. Or, you can of course go the tried-and-true method of just keeping a little notebook with you for just such occasions.

If there is anything that can be taken away from this post, mindfulness is what will help you find writing prompts and inspiration in your daily life. Make noticing and being present a habit.

Your Homework

Your homework is to start your Story-Starter Notebook, whatever that might look like. However, there is a specific exercise to get you going:

Write 25 first lines.

Set a timer for 10 minutes and get down 25 first sentences in that 10 minutes. Don’t think this. Just write them out, one after the other. Whatever comes to mind, write it down. You’ll find that after the first few, you’re just desperate to get thing down. As a result, your inner critic gives up, thus taking some of the pressure off you, and your mind begins to flow.

Don’t forget, if you’re reading this in April of 2021, I have an Earth Month offer, only available until April 23, 2021!

Happy Writing!

Book a Free 30-Minute Session with Me

Are you thinking about working with me, but just aren’t entirely sure? Fill out the form, schedule a call, let’s talk. This is a no-pressure, non-sales-pitch call, where we talk about you and your writing, and whether or not you want to work with me. Let’s chat!

15% Discount on All-In Packages!

This month you can get a 15% discount while contributing 15% to the earth!

Earth Day is coming up, and there are two things that I hold dear: writing and the environment.

I have spent a lot of time thinking about what I would do if I were back in the States. I know where to get sustainable products, know how to access local farmers markets, and feel that I am in a better position over here to do more good for the environment.

As a result, I have been making the following changes:

  • I shop local first
  • I refrain from using plastic whenever possible (this includes researching packaging)
  • I have cut back on my meat consumption (with the goal to go full veggie soon enough)
  • I don’t buy new books (unless in Kindle or Audio format)
  • Any journal/planners I guy must be made from recycled materials or picked up from a second-hand shore
  • Using only soy-based pens in non-plastic containers (shells?)

There is still a lot of room for improvement. Though one of my goals is to be sure to donate more to environmental causes. And because of that, I want to offer you a 15% discount on both of my All-In packages, with a promise that 15% of what I earn from any and all of my offerings this month will go toward environmental causes.

In honor and celebration of Earth Month and the upcoming Earth Day, for the next 11 days, from April 11-23, you can get 15% off either (or both!) the All-In Monthly Package, or the 6-Month All-In Package.

These are writing intensive packages that include:

  • Weekly hour-long coaching calls
  • Daily email access to me, personally
  • Up to 5k words of your WIP read by me each week
  • Weekly homework to improve your writing

What does this translate to?

During each coaching session, we talk about what you’ve written, character development, writers block techniques, plot development, direction, and much more. At the end of each session, you will receive a piece of homework to help you through the next week and your writing process.

With both of these packages you get:

  • An accountability partner
  • A developmental editor
  • A soundboard
  • A cheerleader
  • A writing coach

In addition to offering a 15% discount to my All-In Monthly Package & my 6-Month package, throughout the rest of April, if you sign up for ANY of my coaching offerings, 15% will go toward an environmental charity.

Have an environmental charity in mind? Let me know! I have a few in mind, but I want to make sure I find the most influential, and am always up for suggestions!

Send me a DM about this offer, or use the contact form to schedule your FREE 30-minute call to see if we are a good match!

The earth is important. We only have one. And while we may not have made it what it is today, it is each generation’s responsibility to try and make it better than it was before us.

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Your Inner Writing Seasons

Happy Spring Equinox, Writers. And for those of you in the southern hemisphere, happy Autumn Equinox.

While I acknowledge that there are two beautiful changing of the seasons happening in two different parts of the world, I want to focus on the Spring.

When spring arrives, we are transitioning from the winter into the lighter, warmer months. Things are coming into bloom, and animals are waking up.

I feel the seasons strongly. I certainly am dormant in the winter, and awaken as the days lengthen. The sun and I are good friend in that way.

And yes, this has everything to do with writing.

A really great intimation revolves around the turning of the seasons, stating that nothing blooms all year round, and thus, we shouldn’t be expected to, either.

When it comes to writing, we all find our rhythm and groove. We go through cycles, sometimes in a phase of motivation and productivity, and other times of feeling completely drained. This is all perfectly find and natural. The earth turns through different seasons, and life goes dormant for a while. Likewise, the moon waxes and wanes, sometimes appearing in full darkness, and other times in full dark.

This is the way things are.

We live in a time where constant productivity is valued, encouraged, and even shamed if we’re not allowed to achieve that. As a result, we have people burning themselves out, and unable to focus on their passion and art, even though that might be the thing that lights them up.

Giving yourself permission to determine what your seasons are, what your internal cycle are, and when you’re at you’re brightest and when you need to rest can make or break your writing rhythm.

Some of you might be sensing a bit of a contradiction. After all, have I not been one to encourage practicing writing every single day?

And I still do.

Writing does not have to be perfection, nor does it have to be quality. It doesn’t even have to be on one project. It just has to be writing, the act of putting pen to paper or fingers to keyboard every day. This is also why I encourage journaling. It is still writing, which is still exercising that muscle. Even if it’s just a couple sentences a day that you plan to delete the following day, or throw away, it’s still something.

However, the key is that you learn to attune your writing habits to your own personal seasons. And your own personal season do not need to match the Earth’s seasons in your area. You find what work for you. Again, though, for the purposes of this post, I’m going to return to spring.

For those of you who are like me who rise and fall with the seasons and the sun, spring can be nourishing. Astrologically, we’ve just passed into Aries, which is the first sign of the Zodiac. It’s a sign of being present and being seen. It’s often compared to a newborn. A baby comes into this world and makes no apology for the space it takes up, or for the attention it demands or the needs that it has.

And this is the energy of Aries.

Aries and spring are new to the year, and flowers blossom and unapologetically take up space. Consider the weed that begin popping up everywhere, for example (I love weeds,  by the way). They know when it’s their time and they go for it.

As the earth rotates and orbit, the spring can bring fresh ideas, fresh energy, and new eyes. Use this time if you resonate with it. Spend time asking yourself if you need to move on to a new project, or if you need to look at an old or continued project with fresh, new eyes.

What doe you need to bring this energy into your creativity?

Your Homework

Spend some times evaluating your own personal seasons. Look back over the last year, or last few years (since we all know 2020 was like no other year), and ask yourself when you’ve been most energetic, or felt more challenge to keep up the pace you were on. What does that tell you about that time of year?

If you don’t know, I encourage you to get a planner or even your journal, and begin paying attention to your energy levels. You can look at it in terms of weather (are you more or less energetic when it’s cloudy out? Are you more introverted or extroverted? Etc.), the moon phase, the season, or even go so far as the planetary positions.

The other thing I want you to try to do is challenge yourself to start something new this week. It doesn’t have to be a big project, but start a short story, or a piece of flash fiction, or challenge yourself to write something you don’t normally write, which could be poetry or a YA piece. But do something new.

As you look over your new piece, be unapologetic about it. That means that you respect that it is something you created and can build from. It is neither good nor bad, it simply is, and it has potential, even if it’s just something you used as a tool to learn from. It is the foundation of something from which you can build.

Happy Writing, happy Spring, and happy New Beginnings!

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“When Do I Become an Author?”

There are so many writers out there who don’t realize they are a writer yet. This is why it is so common to see words of encouragement to them, reminding them that yes, they are writers. You, dear reader, are a writer.

You can read more about how you’re a writer, even if you’re not writing here.

But what about being an author? When does a person become an author?

The simple answer is…well, simple: if you’re a writer, then you’re an author.

If you have created something and penned it out, then you are the author of that creation. You are the author of the Tweet you send, the Facebook post you create, the journal you write in, and the stories you concoct. You are an author when you have written something.

This was actually something that I, myself, struggled to get my head around. Sure, I’m a writer because I write. I write stories. But the word “author” just felt so much more official and important. I felt as though the only way I could become an author instead of “just” a writer was to be published.

However, this led me down a road of destination achievement, the idea that one will be ____ when ______ happens or is achieved. In my case, I would be an author when I was published. Except when I first got published, I found reasons why that didn’t count. Then I published more, and still found reasons for it not to count. This went on and on until I realized that calling myself an author was the same thing as calling myself a writer: it’s giving myself credit for the work that I do.

Which is exactly what you should be doing as well.

You are a writer. You are an author.

Here are some definitions of author:

Author – 1. The writer of a literary work (such as a book).
2. one that originates or creates something.

Merriam-Webster

Author – 1. The author of a piece of writing is the person who wrote it.
2. An author is a person whose job it is to write books.
3. The author of a plan or proposal is the person who thinks of it and works out the details.
4. To author something means to be the author of it.

Collins Dictionary

Author – 1. A person who writes books or the person who wrote a particular book.
2. The person who creates or starts something, especially a plan or idea.

Oxford Dictionary

Author – 1. A person who writes a novel, poem, essay, etc.; the composer of a literary work, as distinguished from compiler, translator, editor, or copyist.
2. The literary production or productions of a writer.
3. The maker of anything; creator; originator.
4. Computers. The writer of a software program, especially hypertext or multimedia application.

Dictionary.com

There are a few things to notice about all of these definitions:

  1. Author appears to be synonymous with writer and creator
  2. Nowhere in those definitions does it say at what stage of the creation process that one becomes an author
  3. Nowhere does it say that one needs to be published to be an author

The bottom line is that you become an author when you decide that you are worthy of that title. And just like calling yourself a writer, you need to own that title and step into who you want to be.

Your Homework

Journal on these questions. Spend some time testing your answers and really get into it. Challenge and debate with yourself over your definitions until you find something that true to you.

  1. What is success to you?
  2. What is society’s definition of success?
  3. How do these definitions differ?
  4. Which carries more weight to you?
  5. Make a list of every time you’ve succeeded by your definition.
  6. Make a list of every time you’ve succeeded by society’s definition.
  7. Journal on the difference between the two lists. Which impacted you more then and now?
  8. What is failure to you?
  9. What is society’s definition of failure?
  10. How do these definitions differ?
  11. Which carries more weight to you?
  12. Make a list of every time you’ve failed by your definition.
  13. Make a list of every time you’ve failed by society’s definition.
  14. Journal on the difference between the two lists. Which impacted you more then and now?
  15. What does it mean to be a writer to you?
  16. What does it mean to be an author to you?
  17. What does it mean to succeed and fail as a writer?
  18. What does it mean to succeed and fail as an author?
  19. How do you define yourself in your craft?

Get a sticky note and put it on your bathroom mirror, your computer screen, or wherever you’ll see it the most. You can even take a picture of it and make it your computer or phone background. What I want you to do is write “I am a writer. I am an author” on it. And when you notice it, make sure you say it out loud to yourself, or at the very minimum, think with conviction.

The goal here is to get you comfortable with admitting what you are. When people ask what you do, you might tell them your day job, or you can tell them who you are at your core: an author.

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